Clarence Clemons - Peacemaker (1995)

Saxophonist best known for his work with Bruce Springsteen who had previously done some pop soul albums here tries a out and out jazz instrumental record.

You are likely to find this instrumental album in either the Jazz or New Age sections of the record store. 

Tenor saxophonist Clarence Clemons creates attractive mood music that matches an unusually smooth sax sound (especially for him) with a variety of percussion instruments so broad that the list of them in the album's booklet concludes "... and some other stuff we can't pronounce or spell." 

It makes for an eclectic selection of music appropriate for the all usual new age functions, from meditation to cooking.

His 1995 album, Peacemaker, is a slow, peaceful, meditative offering. 

At its base, Clemons is merely soloing over soft percussion, mostly non-western in origin. 

This is night music, the kind free from worry and other noises, the kind that can mingle in the shadows of your house or apartment and breathe life into the mysterious places in your soul. 

In the spirit of John Coltrane’s A Love Supreme, this album is Clemons’s thank you to God for bestowing upon him the talent to play sax.

Tracklist

1.  Peace Prayer - 6:00 

     Bass Guitar – Kai Eckhardt

2.  Into The Blue Forest - 5:52 

3.  Abraxas - 7:14 

4.  Miracle - 10:00 

5.  Serenity - 5:30 

     Grand Piano, Synthesizer – John Schreiner

6.  Spirit Dance - 5:49 

      Bass Guitar – Abraham Laboriel

      Drums – Gary Ferguson

      Saxophone [Alto Sax] – Dave Koz

Companies, etc.

• Recorded At – Total Access Recording Studios
• Mastered At – Precision Lacquer
• Phonographic Copyright ℗ – BMG Music
• Copyright © – BMG Music

Credits

• Bass Guitar – Abraham Laboriel, John Pierce
• Percussion – Alex Acuna, Efrain Toro, Luis Conte
• Saxophone, Written-By – Clarence Clemons

Notes

Released: 1995 

Genre:  Electronic, Jazz 

Style:  Acid Jazz, Downtempo, Ambient 

Length: 40:47

Label - Zoo Entertainment 

Luther Ingram - Luther Ingram (1986)

Luther Thomas Ingram (November 30, 1937 – March 19, 2007) was an American R&B and soul singer-songwriter. His most successful record, "(If Loving You Is Wrong) I Don't Want to Be Right", reached No. 1 on the Billboard R&B chart and No. 3 on the Hot 100 in 1972.

Luther Ingram made a brief return to the R&B charts with this 1986 LP issued on a predominantly dance-oriented label, which mixed his classic soul voice with urban contemporary production. 

It wasn't an early new jack swing number, as there were no hip-hop or rap elements, but it did contain drum machine tracks and synthesizer-dominated arrangements. 

Otherwise, Ingram was still singing heartache ballads, doing confessional country-soul, and sounding raw and urgent on "Baby Don't Go Too Far" and "Don't Turn Around." 

The album also contained an interesting, although flawed, remake of Bob Dylan's "Gotta Serve Somebody."

A one-producer singer from the beginning of his rise to fame to almost the end, Luther Ingram was seemingly connected at the hip to Johnny Baylor. The intimidating boss of KoKo Records put virtually all of his resources behind making Ingram a star. It ultimately worked, though some of Baylor's tough-guy methods were unsettling (his shenanigans eventually helped bring down the Stax Records empire).

Born in Jackson, Tennessee on November 30, 1937 and raised in the southern Illinois town of Alton from age 10, Ingram started out singing gospel in The Midwest Crusaders before veering into doo-wop with The Gardenias, who hooked up with Ike Turner's Kings of Rhythm for a 1956 Federal single. Visiting New York nearly a decade later, he ran into some friends that told him A&R man Milt Gabler was looking for fresh talent. That led to Ingram's '65 solo Decca debut, and he also waxed the clever workout I Spy (For The F.B.I.) for Smash the same year as well as a 1966 platter for Detroit's tiny HIB logo. Then Baylor came ramrodding into his life.

KoKo was the Alabama native's childhood nickname, and his new label's inaugural release was Luther's You Got To Give Love To Get Love, done in Memphis with Willie Mitchell's band. Ingram co-wrote his KoKo encore Missing You before Al Bell invited Baylor to cast his lot with Stax in 1968. Luther made his first KoKo appearances on the R&B hit parade the next year with Pity For The Lonely and My Honey And Me, but it was his delicious treatment of Homer Banks and Allen Jones' tender ballad Ain't That Loving You (For More Reasons Than One)-–originally done in '67 by Johnnie Taylor on Stax—that put him on the map, rising to #6 R&B and #45 pop.

After that, Luther regularly visited the R&B charts with To The Other Man later in '70, Be Good To Me Baby and I'll Love You Until The Endthe next year, and a revival of Sam Cooke's You Were Made For Me that underscored his stylistic debt to the late singer in '72. Then came Ingram's career song, the steamy cheating ode (If Loving You Is Wrong) I Don't Want To Be Right, done in Muscle Shoals with its resident rhythm section spiced by Pete Carr's crying lead guitar. It was an across-the-board smash, and I'll Be Your Shelter (In Time Of Storm) did very well right behind it. Ingram's streak ended in 1973 after Always and Love Ain't Gonna Run Me Away, but Baylor somehow revived KoKo for another run of 1976-78 Ingram hits.

Other than a brief 1986-87 comeback with three minor R&B hits on the Profile label, that brought Ingram's time in the spotlight to a close. Years of battling kidney disease and diabetes preceded his March 19, 2007 death in Belleville, Illinois. 

Tracklist

A1.  Baby Don’t Go Too Far - 4:49

        Written-By – D. Loggins, R. Smith

A2.  Don’t Turn Around - 3:49

          Guitar – Mo Mosele

          Written-By – A. Hammond, D. Warren

A3.  Rain, Rain, Rain (Stormy Weather) - 4:52

        Written-By – H. Arlen, T. Koehler

A4.  Make You Feel Loved Again - 2:59

          Musician – Muscle Shoals Rhythm Section

          Written-By – G Jackson, T. Jones III

A5.  Gotta Serve Somebody - 4:37

          Horns – The Memphis Horns, Wayne Jackson

          Written-By – B. Dylan

B1.  Right Away - 4:38

          Written-By – R. Berry, J. Kipnis, M. Day, R. Maffit

B2.  Golden Girl - 4:02

          Written-By – J. Felber

B3.  All In The Name Of Love - 4:24

          Musician – Muscle Shoals Rhythm Section

          Written-By – D. Ingram, J. Ingram, L. Ingram, R. Ingram, T. Ingram

B4   How Sweet It Would Be - 4:27

          Musician – Muscle Shoals Rhythm Section

          Written-By – H. Washington, T. Tate

B5.  You Don’t Know Me - 3:27

          Written-By – C. Walker, E. Arnold

 Companies, etc.

• Recorded At – Private Studios
• Recorded At – Muscle Shoals Sound Studios
• Manufactured By – Profile Records, Inc.
• Distributed By – Profile Records, Inc.
• Phonographic Copyright ℗ – Profile Records, Inc.
• Copyright © – Profile Records, Inc.

Credits

• Arranged By – Michael Jay
• Backing Vocals – Ingrid Graudins, Miriam Millikin, Rena Jones
• Backing Vocals [Shoals Sisters] – Ava Aldridge, Cindy Richardson, Myrtice Fields
• Bass [Muscle Shoals Rhythm Section] – David Hood (tracks: A4, B3, B4)
• Design – Janet Perr
• Drum Programming – Michael Day, Rocky Maffit
• Drum Programming [Muscle Shoals Rhythm Section] – Roger Hawkins
• Engineer – Jimmy Johnson (tracks: A4, B3, B4), Pete Greene (tracks: A4, B3, B4)
• Guitar [Muscle Shoals Rhythm Section] – Will McFarlane (tracks: A4, B3, B4)
• Guitar, Programmed By [Additional] – Joel Kipnis
• Keyboards – Michael Day, Neal Robinson
• Keyboards [Muscle Shoals Rhythm Section] – Steve Nathan (tracks: A4, B3, B4)
• Mastered By – Howie Weinberg
• Percussion, Backing Vocals – Rocky Maffit
• Photography By – Beverly Parker
• Producer – Jimmy Johnson (tracks: A4, B3, B4), Luther Ingram (tracks: A4, B3, B4), Michael Jay (tracks: A1 to A3, A5 to B2, B5), Roger Hawkins (tracks: A4, B3, B4)
• Producer [Associate] – Rocky Maffit (tracks: A1 to A3, A5 to B2, B5)
• Recorded By, Mixed By – Jonathon D. Pines (tracks: A1 to A3, A5 to B2, B5)
• Saxophone – Bill Millikin

Notes

Released: 1986 

Design:  Janet Perr

Photography:  Beverly Parker

Recorded At:  Private Studios

Recorded At:  Muscle Shoals Sound Studios

Phonographic Copyright Profile Records Inc

Copyright Profile Records Inc

Genre: Soul 

Length: 

Label - Profile Records 

DB Cooper - Dangerous Curves (1981)

“Breakin' Out” starts out with a keyboard and Journey-like guitar. The vocals are theatrically anxious. 

There is a youthful jitteriness that makes much of this power new wave rock stuff great, The A’s had more of it, but this is still not bad. “Bad Guy's Winnin'” continues with the same formula, but they bring in a good pause and launch effect that introduces the chorus. 

It is a form of the anticipation / delivery that I like so much. But the energy in the vocals is much more subdued here, as is the music. It feels like it is just going through the motions. 

It is not bad, and has that great keyboard/organ sound in it, but it just doesn’t hold the water that less smooth bands do. There is a great harmonized chorus of voices singing the title in the background. “Dangerous Curves” is an instrumental of Devo proportions at least in the beginning, with the only lyrics the track title. 

It is a fun, nicely flowing song, with catchy guitar work and driving bass/drums. It loses the computerized rhythm and totally rocks out at the end. “When This Day Is Over” is a bouncy sing-song anthem to getting out of work. It is very empty in its production, as the piano and bass are the only things in the forefront. Drums are light in the background, as is the organ. Even the lead guitar is toned down when it squeals. 

It features the famous power pop harmonizing as background. The song naturally flows into “Tonight,” which sounds just like a Cars song. It is a juvenile-who thinks he’s an adult themed story teller song. I like this type of call and instrumental response song very much.

“Small Town Talking” starts side two, with guitars bursting through what sounded like a thunder storm. It is a little watching the detectives/reggae in its guitar/bass/drums composition. 

The guitar solo fades out, which seems like a lazy idea. “Modeling School” sounds a bit like “Urgent” in its vocal performance. But it started off with a dark female chorus singing the title. There is a cool keyboard solo that sounds like it is being performed in an echoing church. 

This is immediately answered by a short guitar solo in parallel structure. Again the lazy guitar solo fade is used. Bass leads off “Bad Seed” and it is a rushed, driving song. It is jittery with all its instruments and a quick drum beat. I’m not too fond of the metal effect put upon the guitar, or I’m sure this would be the best song on the record. 

After a minute the pace is sucked out of the song, and replaced with an attempt to be bluesy with guitar and organ solos. The song constantly feels like it is building to something, but it is not that great. The delivery is not as strong as it could be. The breakdowns detract from the overall song’s momentum. 

“I've Gotta Gun” is a groovy slinky song with dual layered vocals, and some Graham Parker-like effects on the vocals. This song sounds like it would be a lot of fun to hear live, but it is not that great on the record. The organ and keyboard style make the song feel a little creepy, like a downward spiral of decisions, which might be the desired effect for a song that proclaims having a fire arm. “For Whom the Bell Tolls” ends the record with a standard rock song. 

It feels like chilling prog in its production, from the harmonized guitars and funky bass set low in the background.

The songs are good, they just lack that umph and over all jitteriness that makes albums of this time shine. Perhaps the youthful energy is lacking, and this album feels slightly forced. 

This is their third album, so that could be true. I can hear where they have potential to be a good band; it just feels like a half-assed effort at recording some descent songs.

 

Tracklist

1.  Breakin' Out - 2:21

2.  Bad Guy's Winnin' - 2:51

3.  Dangerous Curves - 4:03

4.  When This Day Is Over - 1:50

5.  Tonight - 3:18

6.  Small Town Talking - 3:55

7.  Modeling School - 3:13

8.  Bad Seed - 3:23

9.  I've Gotta Gun - 2:55

10.  For Whom The Bell Tolls - 3:00

Companies, etc.

• Phonographic Copyright ℗ – Warner Bros. Records Inc.
• Copyright © – Warner Bros. Records Inc.
• Recorded At – Record Plant, Los Angeles
• Recorded At – Skyline Recording
• Recorded At – L.A. Digital Recorders
• Produced For – One Ten Productions
• Published By – One Ten Music
• Published By – Heath And Miller Music
• Mastered At – Capitol Mastering
• Pressed By – Capitol Records Pressing Plant, Los Angeles

Credits

• Arranged By [Vocals] – Pat DeMott
• Art Direction – Richard Seireeni
• Backing Vocals – Adrienne Miller, Bo Fox, Jim Saad, Randall Kirsch, Roger Heath, Sue Saad, Tony Riparetti
• Bass – Robby Scharf
• Drums – Jon Chapman
• Engineer [Additional] – Don Levy, Karat Faye, Van Webster
• Engineer [Assistant] – Cary Pritikin, Cristy Robertson, Jim Bauerlein, Paul Broucek, Phil Jamtaas
• Guitar – Roger Heath
• Guitar, Vocals – Michael Towers
• Illustration [Cover] – Gary Panter
• Keyboards – Bob Irving
• Lacquer Cut By – KP
• Legal [Wry Equalization] – Fred Ansis
• Mixed By – Michael Towers, Michael Stone, Thomas Earnest Gamache
• Percussion [Additional] – Steve Forman
• Photography By [Sleeve] – Richard Litt
• Producer – Michael Towers, Thomas Earnest Gamache
• Recorded By – Michael Stone
• Written-By – Adrienne Miller (tracks: A3, A4), D B Cooper (tracks: A1, A2, A4, A5, B), Robby Scharf (tracks: B1, B3), Roger Heath (tracks: A2 to A4, B3)

Notes

Released: 1981 

Genre:  Rock 

Style:  Power Pop 

Length: 30:35

Label - Warner Bros. Records  

PRESENCE - Inside (1993)

Presence were a British rock band formed in 1990, best known for its associations with the Cure. They released the album Inside in 1992 and split the following year.

Presence was formed by keyboardist Lol Tolhurst, a founding member of the Cure who had left that band in 1989; and singer Gary Biddles, a former member of Fools Dance who had also served as a member of the Cure's road crew in the early 1980s. 

Two other former members of the Cure, bassist Michael Dempsey and guitarist Porl Thompson, contributed to Presence's early demo recordings, with Dempsey receiving some songwriting credits.

The band's lineup was eventually completed with bassist Roberto Soave, guitarist Rob Steen, keyboardist Chris Youdell (formerly of Then Jericho), and drummer Alan Burgess. 

This lineup first released the single "In Wonder", followed by the album Inside in 1992, which despite some favorable reviews was not successful

Inside is the debut studio album released by British rock band Presence, released in the UK through Reality Records in 1992, and in the US and Canada through Smash Records, a subsidiary of Island Records, in 1993. Although Inside was well received by critics, it was a commercial failure, and the band dissolved shortly afterwards. Nevertheless, this band does spark interest among some Cure fans because of the involvement of Lol Tolhurst.

Tolhurst believes that Presence would may had a better chance of achieving commercial success had his reputation not been tied to that of The Cure. In his autobiography, Cured: The Tale of Two Imaginary Boys. Tolhurst writes:

"I believe the biggest impediment to us succeeding was the baggage that came with me. If it had been a new band that nobody knew, I think we might have got a different reaction. We were either too much like The Cure (surprise, surprise) or not enough. We couldn’t win.”

North American version

1.  Never - 4:24 

2.  Fragments - 3:40

     Biddles, Dempsey, Tolhurst, Youdell 

3.  Act of Faith - 4:02 

4.  On Ocean Hill - 5:05

     Biddles, Burgess, Tolhurst, Youdell 

5.  Revolve - 4:29 

6.  Highest Peak - 5:30 

     Biddles, Dempsey, Tolhurst, Youdell 

7.  Pause - 5:00 

8.  Raindown - 3:38 

9.  Missing - 4:17 

10.  In Wonder - 4:16 

11.  All I See - 4:56 

12.  Inside - 5:43 

All tracks written by Biddles, Tolhurst, and Youdell, except where noted. 

 

Presence

• Gary Biddles - vocals
• Alan Burgess - drums
• Roberto Soave - bass guitar
• Rob Steen - guitar
• Laurence Tolhurst - keyboard
• Chris Youdell - keyboard

Production

• Produced by Presence
• Engineered by Jim Russell, assisted by Alex Byrd
• Mixed by Ingmar Kiang, assisted by Anthony Fisher
• Mastered by Greg Calbi
• Art direction – Deborah Melian
• Design and Logo – Rob Steen
• Artwork and Photography – Jeremy Baile and Darryl Schiff

Notes

Released: 1992/1993 

Genre : Pop rock 

Length: 55:45 (original release)

Producer:  Presence 

Label - Smash / Island 

Barry Gibb - In The Now (2016)

In the Now is the second solo album by British singer-songwriter Barry Gibb, released on 7 October 2016 by Columbia Records. 

Although his second solo album (since 1984's Now Voyager), it is the first of all new material since the Bee Gees' final studio album This Is Where I Came In (2001). Gibb said of the album: "This is a dream come true for me. 

It's a new chapter in my life. I always hoped one day that the Bee Gees would be with Columbia or indeed Sony so, it's a great joy for me to start again this way with such great people."

Following the deaths of his brothers Andy Gibb in 1988, Maurice Gibb in 2003 and Robin Gibb in 2012, respectively, Barry Gibb thought his music career was over: "I was ready to quit. I was done. 

There was no point in going on any further. I’ve done solo work my whole life but never felt like a solo artist." Gibb said he "gave up for a long time" until he became interested in writing songs again. The album was written with his sons Stephen and Ashley Gibb, which according to Barry Gibb meant "there was this huge personal thing going on between the three of us for the whole of this album" and "that you could say whatever it is you’ve got to say and be as honest as you can".

Barry Gibb initially planned on recording a country album citing bluegrass music as an inspiration, but he was told by his record company that "they’d have a lot of trouble getting me on country radio". Instead, the album evolved into "classic pop" inspired by Carole King and Bruce Springsteen. Gibb has said of In the Now: "The album is my opinion of life, my feelings and my journey with my brothers, and without my brothers, with my parents and without my parents, and with my own family, seeing my kids have their own kids."

Tracklist

1.   In The Now - 4:52

2.   Grand Illusion - 4:42

3.   Star Crossed Lovers - 3:19

4.   Blowin' A Fuse - 4:44

5.   Home Truth Song - 5:08

6.   Meaning Of The Word - 4:34

7.   Cross To Bear - 6:01

8.   Shadows - 4:35

9.   Amy In Colour - 4:26

10.  The Long Goodbye - 2:40

        French Horn – Eric Kerley

11.   Diamonds 5:18

12.   End Of The Rainbow - 4:06

          Pedal Steel Guitar – Greg Leisz

          Recorded By [Pedal Steel @ Megawatt] – John Paterno

Bonus Tracks  

13.   Grey Ghost - 4:23

          Programmed By – Doug Emery

          Vocals [Additional] – Stephen Gibb

14.   Daddy's Little Girl - 3:17

          Pedal Steel Guitar – Alan Kendall

          Programmed By – Doug Emery

15.   Soldier's Son - 2:59

          Programmed By – Doug Emery

Companies, etc.

• Recorded At – The Hit Factory Criteria
• Recorded At – Megawatt Recording
• Mixed At – Barking Doctor Recording
• Mastered At – Gateway Mastering
• Published By – Crompton Songs
• Published By – Tune O Matic Songs
• Published By – Gee Son Songs
• Published By – Warner-Tamerlane Publishing Corp.
• Published By – Wb Music Corp.
• Copyright © – Columbia Records
• Phonographic Copyright ℗ – Columbia Records
• Distributed By – Sony Music Entertainment

Credits

• Arranged By [Strings & Horns] – Doug Emery
• Art Direction – Dave Bett
• Baritone Saxophone – Ed Maina
• Bass – Julio Hernandez
• Cello – Claudio Jaffe, David Cole
• Coordinator [Project] – Dick Ashby
• Drums, Percussion – Lee Levin
• Guitar – Dan Warner, Stephen Gibb
• Guitar, Vocals – Barry Gibb
• Keyboards – Ben Stivers
• Keyboards, Directed By [Musical Director] – Doug Emery
• Mastered By – Bob Ludwig
• Mixed By – Mick Guzauski
• Percussion – Richard Bravo
• Photography By – Danny Clinch
• Producer – Barry Gibb, John Merchant
• Recorded By – John Merchant
• Recorded By [Assistant] – Femio Hernandez, Sam Bohl
• Technician [Audio] – Joe Lizano
• Technician [Drum & Percussion] – Carlos R. Guzman
• Technician [Guitar] – Lazaro Rodríguez
• Tenor Saxophone, Soprano Saxophone – Ed Calle
• Trombone – John Kricker
• Trumpet – Doug Michels, Jim Hacker
• Viola – Anthony Parce, Chauncey Patterson, Scott O'Donnell
• Violin – Carol Cole, Evija Ozolins, Huifang Chen, Mark Schuppener, Monica Cheveresan, Scott Flavin, Tomas Cotik, Valentin Mansurov
• Violin, Concertmaster – Alfredo Oliva
• Written-By – Ashley Gibb, Barry Gibb, Doug Emery (tracks: 2), Stephen Gibb

Recorded at Hit Factory Studios (Miami, FL), Pedal Steel recorded at Megawatt Recording (Los Angeles, CA)
Mastered at Gateway Mastering (Portland, ME)
Mixed at Barking Doctor Studio (Los Angeles, CA)
Published By – Wb Music Corp.

Notes

Released:  Oct 7, 2016

Genre:  Pop

Length: 1:04:56

Label - Columbia Records

Hubert Kah - Best Of Dance Hits (Us 12” Vinyl LP Compilation) (1990)

Tracklist

1.  So Many People  (Extended Dance Mix) - 6:27

2.  It’s Me Cathy (Follow My Heart)  (Club Version) - 6:24

3.  Machine Gun  (Extended Dance Mix) - 5:39

4.  Angel 07  (Extended Version) - 6:09

5.  Military Drums  (Dance Edit) - 6:51

6.  Limousine  (Extended Version) - 5:42

7.  Carrousel - 3:50

8. Midnight Sun - 4:25

Companies, etc.

• Phonographic Copyright ℗ – Curb Records, Inc.
• Copyright © – Curb Records, Inc.
• Manufactured By – Curb Records, Inc.
• Distributed By – CEMA Distribution
• Glass Mastered At – DADC – DIDX 006472

Credits

• Art Direction – Neuman, Walker & Associates
• Bass – Klaus Hirschburger
• Compiled By [Album Coordination] – Marguerite Luciani
• Engineer [Assistant] – Frank Peter
• Executive-Producer, Arranged By – Hubert KaH
• Guitar – Markus Löhr, Peter Weihe
• Keyboards [Additional] – Michael Cretu
• Lead Vocals, Backing Vocals – Hubert Kemmler
• Mastered By – Tom Baker
• Percussion [Additional] – Curt Cress
• Producer – Armand Volker, Michael Cretu
• Programmed By, Keyboards – Markus Löhr
• Recorded By, Mixed By [Digital] – Michael Cretu

Notes
Released: 1990
Format: Vinyl, LP, Compilation
Country: US
Genre: Electronic
Style: Synth-pop
Runtime: 45:27

Label - Curb Record

Bellamy Brothers - Live At Gilley's (1999)

Tracklist

1.   Sugar Daddy - 3:38

2.   You Ain't Just Whistlin' Dixie - 4:54

3.   We Can Handle It - 2:43

4.   Goin' Sane - 3:39

5.   For All The Wrong Reasons - 3:50

6.   Foolin' Around - 4:26

7.   Lovers Live Longer - 3:12

8.   You're My Favorite Star - 3:18

9.   Get Into Reggae Cowboy - 3:13

10.   Do You Love As Good As You Look? - 3:04

11.   If I Said You Had A Beautiful Body Would You Hold It Against Me - 4:21

12.   Let Your Love Flow - 2:29

Companies, etc.

• Manufactured By – Atlantic Recording Corporation
• Phonographic Copyright ℗ – Elap Music
• Copyright © – Q Records
• Glass Mastered At – Tocano – 51422
• Pressed By – Tocano

Notes

Released: 1999

Genre:  Folk, World, & Country

Style:  Country

Length:  43:21

Label - ELAP Your Flexible Partner 

Acuario - Acuario (1977)

Tracklist

A1.  Rema, Rema Marinero - 3:45

A2.  Besame Mucho - 3:45

A3.  Nada Mas De Amor - 3:25

A4.  ¡Oh, Latin Boy! - 2:58

A5.  O Me Quieres O No Me Quieres - 3:28

B1.  Flor De Viento - 3:47

B2.  Mimame, Amame - 2:44

B3.  Claro De Luna - 3:57

B4.  Eso Es El Amor - 3:19

B5.  Fuego - 3:57

Credits 

Arranged - Ramón Arcusa,Rafael Pérez Botija

Technician [Sonido] – Carlos Martos,J. Raso,Jose Antonio Lavarez Alija, Recuero

Vocals - Mayra Gomez Kemp, María Durán, Beatriz Escudero

Producer – Ramón Arcusa

Notes

Released: 1977

Genre:  Electronic, Funk / Soul

Style:  Disco

Length:  34:45

Label - RCA Victor