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Showing posts with label Jan Akkerman. Show all posts
Showing posts with label Jan Akkerman. Show all posts

Wednesday, 4 December 2024

This Jan Akkerman record is a real gem! After firs spin I was convinced this by far his best live album. The material comes mainly from his self-titled record (1977), though Tommy (of the Eruption suite) of Focus is added and two new compositions in the spirit of the self-titled Jan Akkerman album. 

A live document of Akkerman's continuing evolution into jazz-rock during the late 70s and early 80s, largely drawn from his previous year's eponymous release. 
Like many of his albums, half of it is inspired and half is drudgery. The first half runs from the ghostly introduction "Transitory" -- a piece not unlike the haunting releases by the ECM label in this same period -- to staccato guitar work of "Skydancer" and the fluid sax solos of "Pavane." 
The second half of the album is merely competent jazz-rock cerca 1978, pleasant enough to listen to but not memorable.
The recording of this live album is perfect, nothing more can be expected, not even today.
For newcomers. 
Jan Akkerman is ex-guitarist of Dutch prog band Focus. In his solo career he concentrated on jazz-rock/fusion and some historical lute-guitar playing. Though at first (Profile, Tabernakel) Jan akkerman would use his rockin' electric guitars most of the time, in 1977 Jan decided to become the master of the clean jazz-guitar. 
This resulted in the 1977 self-titled album with clean guitars, a great band and the best of string arrangements. The compositions had a relaxing but slightly magical vibe and some up-tempo moments. Most of the compositions of this record were played on this live album.
Now, the problem Akkerman and band had to face was the fact that on the album these unbelievable string arrangements made a big contribution to the end result, but they weren't able to get such an arrangement for their tour. 
The problem was successfully solved by adding an inspired percussionist (I love his contribution) and some synths that both helped to establish a more progressive climate, though the main genre would still be fusion. The two minuted atmospheric synth opening track by Jasper Van 't Hoff really gets me warm for the rest of the album!
A nice track from the Focus era, Tommy, is played with precision but the great vocals of Thijs van Leer are a loss. Still the band makes a great symphonic jazz track with that magical feel and the great guitar solo's (this time clean) of Jan Akkerman.
This recording is perfect, the tracks are great, there's a magical progressive climate on this concert, all instruments are played perfect, some problems concerning the arrangements were solved very intelligent and Jan Akkerman plays plain beautiful. 
There's only one letdown: the album is short. Running for 35 minutes this doesn't live up to the standards of these days. 
Still this album is highly recommended to basically every-one who can hear the difference between elevator music and great Fusion.

Recorded July, 7th 1978 at the Montreux Jazz Festival by the Mountain Recording Studios.
Mixed August/September 1978 at the Soundpush Studios , Blaricum, Holland.
Mastered on the CBS Discomputer.


Track listing

A1.  Transitory - 2:15
        Composed By – Jasper Van't Hoff
A2.  Skydancer - 8:09
A3.  Pavane - 7:30

B1.  Crackers - 6:57
B2.  Tommy - 3:36
        Composed By – Tom Barlage
B3.  Azimuth - 5:42
        Written By – L. M. Bijlsma


Notes
Released: 1978
Genre:  Jazz-Rock
Style:  Instrumental
Length: 34:29

Label - Atlantic Records

Sunday, 6 March 2011


Jan Akkerman is a Dutch guitarist. Akkerman is a distinctive guitarist, constantly experimenting with new equipment and guitars. Akkerman's distinctive guitar sound is characterised by his pioneering use of volume swells which produce a smooth, fluty, sustained note, although he is also capable of astonishing high-speed pyrotechnics. He also pioneered the use of the lute in a rock band, reflecting his interest in medieval and Renaissance music and culture. He first reached world acclaim in the 1970s when he was seen as the core of the Dutch rock bands, Focus, together with Thijs van Leer and Brainbox.
Jan Akkerman is known for his work with Dutch prog-rock band Focus in the '70s. He has released a string of musically very different solo albums since the late-'70s, and it's easy to understand why 1984's "From the basement" is one of Jan's few U.S. releases. It features a synth-heavy blues rock that sounds very similar to that of ZZ Top's commercial breakthrough "Eliminator". With drum machines, sequencers, and a guitar synthesizer, but since ZZ Top have done this kind of music with more fun and passion, "From the basement" is hardly more than an inferior duplication. "Headbanger", "Dark rose", and "P.C.B. Chicken" are energetic, danceable 'space boogie' tracks, but they suffer from a too streamlined and clean sound, a problem that plagues most of the songs. The 14-minute cover version of Dylan's "All along the watchtower" (of course, popularized by Jimi Hendrix) is mostly tedious, just as "Wallenberg" and the moody title track. The CD's second half contains some previously unavailable demo recordings, but apart from "Ellington's way", there's nothing particularly interesting to discover there. With a flawless sound quality and extensive liner notes about the equipment Jan used for this album, "From the basement" will automatically appeal to other musicians.

Track List:

01. Headbanger (J.Akkerman) - 6:26
02. All Along The Watchtower (Bob Dylan) - 14:10
03. Dark Rose (K.Lux, J.Akkerman) - 2:52
04. Wallenberg (J.Akkerman) - 6:08
05. From The Basement (J.Akkerman) - 8:25
06. P.C.B. Chicken (J.Akkerman) - 6:34
07. Status Quo (D.Walcott, J.Akkerman) - 2:56
08. She Let Me Do What I Want (M-Muleta) - 0:39
09. Blues From the Tews (M.Muleta) - 0:46
10. Cherubim & Sepharim (M-Muleta) - 1:48
11. She Can´t Say Don´t (M.Muleta) - 3:01
12. Took Her To Locronan (M.Muleta) - 0:40
13. Then Rollright Stones (The Twes)(M.Muleta) - 6:56
14. No More Parking (M.Muleta) - 2:44
15. When I Was A Cocktail In A Waitress Bar (M.Muleta) - 4:30
16. Ellington´s Way (M.Muleta) - 3:26

Released: 1984
Recorded at: Spitsbergen Studio, Zuidbroek, Holland, April 1984 (Tracks 1-7)
Recorded at: The Live Music Maker Studios, Volendam, Holland 1998 (Tracks 15-16)
Rrecorded at: Jan Akkerman´s Garage Studios, Akkrum, Holland 1988 (Tracks 8-14)
Label: CBS Records
Genre: Blues Rock
Length: 1:12:18
Produced By: Jan Akkerman
Engineerd By: Theo Balijon, Jan Akkerman

Personnel:
Jan Akkerman (guitar, guitar synthesizer)
Dino Walcott (vocals, bass guitar)
Hans Waterman (drums)
Pete Eisma (percussion)
Freddy Cavalli (bass guitar)
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