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Showing posts with label Iggy Pop. Show all posts
Showing posts with label Iggy Pop. Show all posts

Friday, 24 March 2023

posted by all-musicrecords

Zombie Birdhouse is the sixth solo studio album by American rock singer Iggy Pop. It was released in September 1982 by record label Animal.
Zombie Birdhouse was recorded on 16-track in June 1982 at Blank Tape Studios in New York City. Chris Stein of Blondie produced the album.
On the three albums he recorded for Arista Records in the late '70s and early '80s, Iggy Pop often seemed to be going out of his way to sound like a commercially viable rock musician, or at very least someone who was not quite as strange as his public reputation led people to believe. 
In 1982, after Iggy's contract with Arista lapsed, he was offered the opportunity to work with Blondie mastermind Chris Stein, who not only produced Zombie Birdhouse, but originally released the album on his own short-lived Animal Records imprint, and Iggy seemed to approach the album as his opportunity to let loose with every musical and lyrical impulse that wouldn't have passed muster on the label that gave us Barry Manilow and Whitney Houston. 
After the perverse attempt at a dance-pop album that was Party, Zombie Birdhouse certainly seemed like the right idea; Rob DuPrey, who handled the keyboards, guitars, and programming and wrote most of the music, came up with a set of interesting pop tunes, skeletal but full of ideas and sharp angles, often suggesting a less pretentious and more emotionally direct corollary to the arty approach of the David Bowie-produced The Idiot. But sadly, Iggy himself didn't rise especially well to the occasion here; his lyrics are often a bizarre mélange of free-association without any clear focus, and one senses that Stein was a bit too awed by working with his hero to have the nerve to tell him when his vocals were wandering off-pitch (or out of tune altogether). 
Zombie Birdhouse was in many ways a noble experiment, and it's never less than interesting, but it also rarely works the way it's supposed to; ultimately, this album's a failure, but it's certainly one of the most interesting and ambitious failures of Iggy's career, which ought to count for something.


Tracklist

1.  Run Like a Villain - 3:00 
2.  The Villagers - 3:46 
3.  Angry Hills - 2:55 
4.  Life of Work - 3:44 
5.  The Ballad of Cookie McBride - 2:58 
6.  Ordinary Bummer - 2:40 
7.  Eat or Be Eaten - 3:14 
8.  Bulldozer - 2:16 
9.  Platonic - 2:39 
10.  The Horse Song - 2:57 
11.  Watching the News - 4:10 
12.  Street Crazies - 3:53 

Reissue bonus track
13.  Pain and Suffering - 3:39 


Monday, 28 March 2022

posted by record facts

Post Pop Depression is the seventeenth studio album by American rock singer Iggy Pop, released by Caroline International / Loma Vista Recordings on March 18, 2016.
Produced by Josh Homme of Queens of the Stone Age, the album was recorded in secrecy and features contributions from Queens of the Stone Age member Dean Fertita and Arctic Monkeys drummer Matt Helders.
The album gained a new level of chart success for Pop at age 68, becoming his first US top 20 album and first UK top 5 album. 

Fate has a way of putting things into an interesting context. When it was announced that Iggy Pop would be collaborating with Josh Homme of Queens of the Stone Age, the music press buzzed with anticipation about the project. 
What would the proto-punk icon and the snarky hard rock smart guy come up with? The surprise answer is, in many respects, 2016's Post Pop Depression, an unwitting but loving tribute to Pop's friend and collaborator David Bowie. Post Pop Depression arrived two months after Bowie's death, and was completed before his health problems became common knowledge. 
More than anything, though, this music evokes the sound and feel of Pop's first two solo albums. 1977's The Idiot and Lust for Life were cut with Bowie in Germany as Pop struggled to make sense of his life and career after the Stooges collapsed. With the reunited Stooges gone following the deaths of Ron and Scott Asheton, Post Pop Depression finds Pop returning to the work he made in 1977, in ways that count the most. 
Post Pop Depression is smart and thoughtful, intelligent without being pretentious, and full of bold but introspective thinking. While Josh Homme is certainly no David Bowie, he's a skilled musician who challenges Pop in a way many of his previous producers have not. The sound of Post Pop Depression occasionally gestures to Bowie's work, with and without Pop, but Homme has given this music a personality of its own. 
Dark and richly textured, Post Pop Depression puts Pop's craggy but authoritative voice and intelligent tirades front and center. Homme and his rhythm section of Dean Fertita and Matt Helders have created strong, muscular backdrops for Pop's lyrics that add to their power. They counter his thoughtful anger with sounds that are rich, cleanly designed, and a successful compliment for the star's work. Pop has suggested that Post Pop Depression may be his last album, and if that's true, it wraps up his career with a strong and atypical work. 
It tips its hat to Bowie, but also to the freedom and creative possibilities Pop discovered in their collaborative work. It confirms that Pop has never lost the ability to surprise and upend expectations. In the bitter rant that closes "Paraguay," Pop declares he wants to run away and live as "your basic clod." It's an ironic thought, closing an album that once again proves Pop never was and never will be an ordinary guy. 


Track listing​

1.  Break into Your Heart - 3:54 
2.  Gardenia - 4:14 
3.  American Valhalla - 4:38 
4.  In the Lobby - 4:14 
5.  Sunday - 6:06 
6.  Vulture - 3:15 
7.  German Days - 4:47 
8.  Chocolate Drops - 3:58 
9.  Paraguay - 6:25 

All tracks composed by Iggy Pop and Joshua Homme


Personnel
  • Iggy Pop – vocals (1–9), acoustic guitar (6)
  • Josh Homme – vocals (1–8), gang vocals (9), guitar (1–4, 6, 7), acoustic guitar (8, 9), 12-string electric guitar (5), nylon guitar (9), lead guitar (2, 6), slide guitar (1), lead lap steel (8), bass (2–4, 7–9), piano (4–6, 9), Mellotron (6), synthesizer (1, 2), Fun Machine (4, 9), percussion (5), steel drum (3), chimes (6, 8), vibraphone (3, 8), Indians (6)
  • Dean Fertita – gang vocals (9), guitar (2, 7), electric guitar (6), 12-string electric guitar (4, 9), lead bridge guitar (8), bass (5), keyed bass (1), piano (1, 6, 8), grand plinky piano (7), Wurlitzer (3), clavinet (5), synthesizer (2), Moog (1)
  • Matt Helders – vocals (3, 5, 8), gang vocals (9), drums (1–5, 7–9), percussion (5, 6), marching snares (6), tom toms (6, 7), shaker (4), Indians 

Additional
  • Daphne Chen – violin (5, 7, 9)
  • Lauren Chipman – viola (5, 7, 9)
  • Philip Blake Cooper – cimbassom (5, 7), tuba (3), C tuba (5, 7), F tuba (7), sousaphone (5, 7)
  • Richard Dodd – cello (5, 7, 9)
  • Lynne Fiddmont – backing vocals (5)
  • Sharlotte Gibson – backing vocals (5)
  • Eric Gorfain – violin (5, 7, 9)
  • Jordan Katz – trumpet (3, 5, 7), valve trombone (5, 7), mellophone (5, 7)
  • Danny T. Levine – trumpet (3, 5, 7), flugelhorn (5), cornet (7), valve trombone (3, 5), marching French horn (3), alto horn (7), euphonium (7)
  • David Moyer – alto saxophone (7), tenor saxophone (5, 7), baritone saxophone (3, 7), flute (3, 5), piccolo (5), clarinet (5, 7)

Notes
Released:  March 18, 2016 
Recorded:  January 12 – March 9, 2015 
Studio:  Rancho De La Luna (Joshua Tree, California) / Pink Duck Studios (Burbank, California)
Genre:  Art rock 
Length:  41:31 

Label - Caroline International / Loma Vista

Saturday, 27 September 2014

Boasting a big-name producer and appearances from a handful of actual mainstream rock stars, Brick by Brick was a remarkably successful attempt (critically, if not commercially) to create an "event album" around Iggy Pop, so the follow-up came as a surprise “American Caesar” was cut fast and loose in a New Orleans studio, with Malcolm Burn (hardly known for his work in hard rock) in the producer's chair and Pop's road band backing him up. But the real surprise was that “American Caesar” ranks with Pop's very best solo work.
Dark, loud, and atmospheric, it's a far riskier album than “Brick by Brick”, lyrically following that disc's themes of America teetering on the edge of internal collapse with the same degree of hard-won maturity, but adding a wacked-out passion and force that recall the heady days of Raw Power. While Pop's group doesn't play with the subtlety of the studio cats on “Brick by Brick” (I'll leave it to others to debate if they won't or they can't), they also sound tight and forceful, like a real band with plenty of muscle and some miles under their belts.
Eric Schermerhorn's guitar meshes with Pop's vocals as well as anyone he's worked with since Ron Asheton, and Malcolm Burn's production is clear and detailed but adds subtle textures that season the formula just right. The hard rockers are full-bodied ("Wild America," "Plastic and Concrete"), the calmer tunes still bristle with tension and menace ("Mixing the Colors," "Jealousy"), the few moments of calm sound sincere and richly earned ("Highway Song," "It's Our Love"), the manic rewritten remake of "Louie Louie" actually tops the version on Metallic K.O., and the title cut is a bizarre bit of spoken-word performance art that's as strange as the entirety of Zombie Birdhouse, and a rousing success where that album was a brave failure.
In a note printed on the CD itself, Pop says of “American Caesar”, "I tried to make this album as good as I could, with no imitations of other people and no formula sh*t." And Pop succeeded beyond anyone's expectations; “American Caesar” is an overlooked masterpiece.

Track listing

01.  "Character"  (Pop, Eric Schermerhorn)  - 1:07
02.  "Wild America"  (Pop, Eric Schermerhorn)  - 5:52
03.  "Mixin' the Colors"  (Iggy Pop)  - 4:49
04.  "Jealousy"  (Iggy Pop)  - 6:04
05.  "Hate"  (Iggy Pop)  - 6:56
06.  "It's Our Love" ( Iggy Pop)  - 4:09
07.  "Plastic & Concrete"  (Iggy Pop)  - 2:55
08.  "Fuckin' Alone"  (Pop, Eric Schermerhorn)  - 4:56
09.  "Highway Song"  (Iggy Pop)  - 3:44
10.  "Beside You"  (Steve Jones, Pop)  - 4:29
11.  "Sickness"  (Iggy Pop)  - 3:15
12.  "Boogie Boy"  (Iggy Pop)  - 4:53
13.  "Perforation Problems"  (Iggy Pop)  - 3:15
14.  "Social Life"  (Iggy Pop)  - 4:12
15.  "Louie Louie"  (Richard Berry)  - 3:47
16.  "Caesar"  (Pop, Eric Schermerhorn)  - 7:09
17.  "Girls of N.Y."  (Iggy Pop)  - 4:15

Credits
Iggy Pop - guitar, vocals
Eric Schermerhorn - guitar
Malcolm Burn - guitar, keyboards, harmonica
Hal Cragin - bass
Larry Mullins - drums, percussion
Jay Joyce - guitar
Bill Dillon - guitar
Darryl Johnson - percussion
Henry Rollins - backing vocals
Katell Keineg - backing vocals
Lisa Germano - backing vocals
Producer - Malcolm Burn

Notes
Recorded sy Kingsway Studio, New Orleans and Bearsville Studios, NY
Genre: Rock, Pop
Length: 71:32

© 1993 Virgin Records