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Showing posts with label Fleetwood Mac. Show all posts
Showing posts with label Fleetwood Mac. Show all posts

Sunday, 31 August 2025

Fleetwood Mac - Tango In The Night (3CD Deluxe Edition) (2017)


Disc 1                                              
1.  Big Love (2017 Remaster) - 3:44
     Music By, Lyrics By – Lindsey Buckingham
2.  Seven Wonders (2017 Remaster) - 3:42
     Lyrics By [Additional] – Stevie Nicks
     Music By, Lyrics By – Sandy Stewart
3.  Everywhere (2017 Remaster) - 3:47
     Music By, Lyrics By – Christine McVie
4.  Caroline (2017 Remaster) - 3:54
     Music By, Lyrics By – Lindsey Buckingham
5.  Tango in the Night (2017 Remaster) - 4:03
     Music By, Lyrics By – Lindsey Buckingham
6.  Mystified (2017 Remaster) - 3:10
     Music By, Lyrics By – Christine McVie, Lindsey Buckingham
7.  Little Lies (2017 Remaster) - 3:41
     Music By, Lyrics By – Christine McVie, Eddy Quintela
8.  Family Man (2017 Remaster) - 4:07
     Lyrics By – Richard Dashut
     Music By, Lyrics By – Lindsey Buckingham
9.  Welcome to the Room... Sara (2017 Remaster) - 3:42
     Music By, Lyrics By – Stevie Nicks
10.  Isn't It Midnight (2017 Remaster) - 4:14
       Music By – Eddy Quintela, Lindsey Buckingham
       Music By, Lyrics By – Christine McVie
11.  When I See You Again (2017 Remaster) - 3:49
       Written-By – Stevie Nicks
12.  You and I, Pt. II (2017 Remaster) - 2:40
       Music By, Lyrics By – Christine McVie, Lindsey Buckingham

Disc 2                                              
1.  Down Endless Street (2017 Remaster) - 4:29
     Written-By – Lindsey Buckingham
2.  Special Kind of Love (Demo; 2017 Remaster) - 2:53
     Written-By – Lindsey Buckingham
3.  Seven Wonders (Early Version; 2017 Remaster) - 4:34
     Written-By – Sandy Stewart, Stevie Nicks
4.  Tango in the Night (Demo; 2017 Remaster) - 4:42
     Written-By – Lindsey Buckingham
5.  Mystified (Alternate Version; 2017 Remaster) - 3:28
     Written-By – Christine McVie, Lindsey Buckingham
6.  Book of Miracles (Instrumental; 2017 Remaster) - 4:32
     Written-By – Lindsey Buckingham, Stevie Nicks
7.  Where We Belong (Demo; 2017 Remaster) - 2:54
     Written-By – Christine McVie, Lindsey Buckingham
8.  Ricky (2017 Remaster) - 4:27
     Written-By – Christine McVie, Lindsey Buckingham
9.  Juliet (Run-Through; 2017 Remaster) - 5:04
     Written-By – Lindsey Buckingham, Stevie Nicks
10.  Isn't It Midnight (Alternate Mix; 2017 Remaster) - 3:39
11.  Ooh My Love (Demo; 2017 Remaster) - 3:51
       Written-By – Lindsey Buckingham
12.  Mystified (Instrumental Demo; 2017 Remaster) - 3:19
       Written-By – Christine McVie, Lindsey Buckingham
13.  You and I, Pt. II (Full Version; 2017 Remaster) - 6:28
       Written-By – Christine McVie, Lindsey Buckingham

Disc 3
1.  Big Love (Extended Remix; 2017 Remaster) - 6:43
     Engineer – Bob Rousa
     Keyboards [Keyboard Overdubs] – David Cole, Gary Rottger
     Remix, Producer [Additional Production] – Arthur Baker
     Written-By – Lindsey Buckingham
2.  Big Love (House on the Hill Dub; 2017 Remaster) - 3:01
     Engineer – Bob Rousa
     Keyboards [Keyboard Overdubs] – David Cole, Gary Rottger
     Remix, Producer [Additional Production] – Arthur Baker
     Written-By – Lindsey Buckingham
3.  Big Love (Piano Dub; 2017 Remaster) - 6:37
     Engineer – Bob Rousa
     Keyboards [Keyboard Overdubs] – David Cole, Gary Rottger
     Remix, Producer [Additional Production] – Arthur Baker
     Written-By – Lindsey Buckingham
4.  Big Love (Remix / Edit; 2017 Remaster) - 3:41
     Engineer – Bob Rousa
     Keyboards [Keyboard Overdubs] – David Cole, Gary Rottger
     Remix, Producer [Additional Production] – Arthur Baker
     Written-By – Lindsey Buckingham
5.  Seven Wonders (Extended Version; 2017 Remaster) - 6:26
     Engineer [Assistant Engineer] – John Hegedes
     Engineer [Remix Engineer] – Michael Hutchinson
     Remix – Jellybean
     Written-By – Sandy Stewart, Stevie Nicks
6.  Seven Wonders (Dub; 2017 Remaster) - 4:34
     Engineer [Assistant Engineer] – John Hegedes
     Engineer [Remix Engineer] – Michael Hutchinson
     Remix – Jellybean
     Written-By – Sandy Stewart, Stevie Nicks
7.  Little Lies (Extended Version; 2017 Remaster) - 6:16
     Engineer [Assistant Engineer] – Gary Wright
     Engineer [Remix Engineer] – Michael Hutchinson
     Remix – Jellybean
     Written-By – Christine McVie, Eddy Quintela
8.  Little Lies (Dub; 2017 Remaster) - 4:14
     Engineer [Assistant Engineer] – Gary Wright
     Engineer [Remix Engineer] – Michael Hutchinson
     Remix – Jellybean
     Written-By – Christine McVie, Eddy Quintela
9.  Family Man (Extended Vocal Remix; 2017 Remaster) - 8:31
     Engineer [Mix Engineer] – Bob Rosa, Louis Scalise
     Mixed By, Engineer [Mix Engineer] – Hugo Dwyer
     Remix, Producer [Additional Production], Mixed By – Arthur Baker
     Written-By – Lindsey Buckingham, Richard Dashut
10.  Family Man (I'm a Jazz Man Dub; 2017 Remaster) - 8:52
       Engineer [Mix Engineer] – Bob Rosa, Louis Scalise
       Mixed By, Engineer [Mix Engineer] – Hugo Dwyer
       Remix, Producer [Additional Production], Mixed By – Arthur Baker
       Written-By – Lindsey Buckingham, Richard Dashut
11.  Family Man (Extended Guitar Version; 2017 Remaster) - 6:28
       Engineer [Mix Engineer] – Bob Rosa, Louis Scalise
       Mixed By, Engineer [Mix Engineer] – Hugo Dwyer
       Remix, Producer [Additional Production], Mixed By – Arthur Baker
       Written-By – Lindsey Buckingham, Richard Dashut
12.  Family Man (Bonus Beats; 2017 Remaster) - 4:38
       Engineer [Mix Engineer] – Bob Rosa, Louis Scalise
       Mixed By, Engineer [Mix Engineer] – Hugo Dwyer
       Remix, Producer [Additional Production], Mixed By – Arthur Baker
       Written-By – Lindsey Buckingham, Richard Dashut
13.  Everywhere (2017 Remaster) - 5:50
       Engineer [Remix Engineer] – Hugo Dwyer
       Remix, Producer [Additional Production] – Jellybean
       Written-By – Christine McVie
14.  Everywhere (Dub; 2017 Remaster) - 3:55
       Engineer [Remix Engineer] – Hugo Dwyer
       Remix, Producer [Additional Production] – Jellybean
       Written-By – Christine McVie



Deluxe edition of 'Tango In The Night', contains:
Disc 1: CD - Original album, remastered,
Disc 2: CD - Demo's, Alternates and B-Sides,
Disc 3: CD - The 12'' mixes,


Companies, etc.

Credits

Notes
Released:  Mar 31, 2017 
Format:  Box Set, Deluxe Edition, Limited Edition, 30th Anniversary Edition
Genre:  Pop, Rock 
Runtime:  2:58:39 
Label:  Rhino/Warner Records


Tuesday, 29 October 2024

Fleetwood Mac - The Frisco Kids (2024) 










RELEASE .... :  Fleetwood Mac - The Frisco Kids (2024)
ARTIST ..... :  Fleetwood Mac                                 
ALBUM ...... :  The Frisco Kids                             
GENRE ...... :  Rock                                           
YEAR ....... :  2024                                           
SRC/RPR .... :  WEB / NMR                                      
RUNTIME .... :  01:22:54                                       
TOTALSIZE .. :  190,86 MB  AUDIO: 189,79 MB  TAG: 1,06 MB    
HOMEPAGE ... :  n/a                                           
LABEL ...... :  n/a                                            
INCLUDE .... :  nfo                                            
                                                                   


Tracks
1. Madison Blues                                        4:28
2. My Baby's Gone                                       5:38
3. My Baby's Skinny                                     4:46
4. Worried Dream                                        9:44
5. I'll Dust My Broom                                   4:28
6. Got To Move                                          2:45
7. Trying So Hard To Forget                             4:36
8. Blues Jam                                            8:22
9. Have You Ever Loved A Woman?                         7:45
10. Lazy Poker Blues                                    4:26
11. I Loved Another Woman (feat. Paul Butterfield       5:29
12. I'll Dust My Broom (feat. Paul Butterfield)         5:02
13. The Sun Is Shining (feat. Paul Butterfield)         4:48
14. Long Tall Sally (feat. Paul Butterfield)            4:14
15. Willie & The Hand Jive                              4:03
16. Tutti Frutti                                        2:20

Runtime:  1:22:54

Thursday, 5 May 2022

Fleetwood Mac - Say You Will (2003)

Say You Will is the 17th studio album by British-American rock band Fleetwood Mac, released on 15 April 2003. It followed 1995's Time and was their first album without vocalist/keyboardist Christine McVie, who had left the band in 1998 (although she made some brief appearances on it). Lindsey Buckingham took over primary keyboard duties for the album and Stevie Nicks added some limited additional keyboard parts.

The album would also be the band's final album with Buckingham, who was told to leave Fleetwood Mac in 2018.
Lindsey Buckingham hadn't recorded a studio album with Fleetwood Mac in 16 years when Say You Will was released in April 2003. 
His partner, Stevie Nicks, had been missing in action from the group since 1990, and while both joined the reunited group in 1997 for a tour and live album (The Dance), not to mention Bill Clinton's 1993 inauguration, it had been a long, long time since the two made new music for the Mac. 
They were lured back into the fold for...well, the specifics -- whether money, prestige, status, publicity, or creativity -- don't really matter, since the end result is the same, it's that Buckingham and Nicks have come home. 
This doesn't qualify as a full-fledged Fleetwood reunion, since Christine McVie isn't here, choosing to opt out of this high-profile return to the breach (although her playing is occasionally heard on the album). This results in a record that never quite sounds like Fleetwood Mac. Mick Fleetwood and John McVie are so grateful to have the two superstars back in the group that they cede ground to Buckingham and Nicks, who never collaborate as much as share space. Each singer/songwriter is given nine songs apiece, a move which, in itself, would not necessarily be a problem, but over the course of this lengthy, lengthy album, the evenhandedness starts to give the impression that this is two solo albums presented as a group effort. 
An assessment that's a little harsh, since the group can still conjure echoes of their classic sound, but the division of work is so deliberate and their work so dissimilar, it can't help but feel like two separate pieces pushed together to make the whole. 
Which is where Christine McVie becomes a critical factor. While never a star like Nicks, nor possessing the mad genius of Buckingham, McVie was a strong, likeable songwriter whose gently melodic works balanced the extremities of her bandmates while also forcing them to choose the best material to fit the record. 
Add to this that Fleetwood Mac have decided to run wild with the length of a CD, producing a record that is significantly longer than the messy, chaotic Tusk, but without its inspired insanity or depth of sound and character. 
Here, even if most songs are in the four-minute ballpark, they all feel longer, partially because the album clocks in at nearly 80 minutes and the sequencing flows as it was designed by committee. So, Say You Will winds up occupying a strange middle ground, often feeling as if it was Lindsey Buckingham and Stevie Nicks' albums bouncing around on shuffle play, but also occasionally flashing moments that are purely, satisfyingly Fleetwood Mac. 
Although there are occasional misguided attempts to modernize the songs -- most notably drum loops on some of Nicks' songs -- none of the songs sound as if the band were forcing themselves to sound contemporary. 
Sure, it sounds commercial, but that's the band's idiom -- what's important is that it never sounds compromised, it sounds as if the band is at once trying too hard while being unwilling to sacrifice individual moments for the greater good. 
So, Say You Will straddles many lines at once. Nicks' material is better-realized than many of her recent albums, but Buckingham's always sounds as if it should be wilder than it is (it should all sound as unrestrained as his guitar, which is continually surprising throughout the record). 
It never sounds like classic Fleetwood Mac, nor does it sound modern. It often sounds like solo albums, but without the freedom that allows. 
Most of these problems derive merely from the length. Cut out half of the record -- have it weigh in at nine or ten songs and run no longer than 45 minutes -- and it would have been a good, solid comeback, perhaps even eclipsing the uneven Tango in the Night. 
But there are too many songs, simply too much to make Say You Will work, even if there is enough to admire to make you wish it did. 


Track listing​

1.  What's the World Coming To?  (Lindsey Buckingham, Julian Raymond) - 3:48 
2.  Murrow Turning Over in His Grave  (Buckingham) - 4:12 
3.  Illume (9-11)  (Stevie Nicks) - 4:51 
4.  Thrown Down  (Nicks) - 4:02 
5.  Miranda  (Buckingham) - 4:18 
6.  Red Rover  (Buckingham) - 3:58 
7.  Say You Will  (Nicks) - 3:49 
8.  Peacekeeper  (Buckingham) - 4:11 
9.  Come  (Buckingham, Neale Heywood) - 5:59 
10.  Smile at You  (Nicks) - 4:33 
11.  Running Through the Garden  (Nicks, Ray Kennedy, Gary Nicholson) - 4:34 
12.  Silver Girl  (Nicks) - 3:59 
13.  Steal Your Heart Away  (Buckingham) - 3:33 
14.  Bleed to Love Her  (Buckingham) - 4:06 
15.  Everybody Finds Out  (Nicks, Rick Nowels) - 4:29 
16.  Destiny Rules  (Nicks) - 4:26 
17.  Say Goodbye  (Buckingham) - 3:26 
18.  Goodbye Baby  (Nicks) - 3:52 

Deluxe edition bonus disc
19.  Love Minus Zero/No Limit  (Bob Dylan) - 4:11 
20.  Not Make Believe  (Nicks) - 4:28 
21.  Peacekeeper (Live from Sessions@AOL)  (Buckingham) - 4:16 
22.  Say You Will (Live from Sessions@AOL)  (Nicks) - 3:50 

Note 
"Bleed to Love Her" was previously available on The Dance as a live version


Fleetwood Mac

Additional musicians


Production
  • Lindsey Buckingham – producer, engineer
  • Rob Cavallo – producer (5, 6, 9, 13, 14), A&R
  • John Shanks – producer (1, 8)
  • Ken Allardyce – engineer
  • Ken Koroshetz – engineer
  • Ray Lindsey – engineer, band technician
  • Mark Needham – engineer, mixing (1-15, 17, 18)
  • Chris Lord-Alge – mixing (16)
  • Bernie Grundman – mastering
  • Joe Bozzi – mastering assistant
  • Mike Fasano – band technician
  • Bruce Jaccoby – band technician
  • Garner Knutsen – band technician
  • Mike Zablow – band technician
  • Stephen Walker – art direction
  • Keith Carter – "Hands 1991" photography
  • Karen Johnston – photography
  • Neal Preston – photography
  • Herbert W. Worthington – photography

Studios

  • Recorded at The Bellagio House; Ocean Way Recording (Hollywood, California); Lindsey's garage (Los Angeles, California); Cornerstone Studios (Chatsworth, California).
  • Mixed at Cornerstone Studios; Conway Studios (Hollywood, California); Image Recording Studios (Los Angeles, California).
  • Mastered at Bernie Grundman Mastering (Hollywood, California).

Management

  • Tony Dimitriades and Robert Richards at East End Management – management for Lindsey Buckingham
  • Howard Kaufman and Sheryl Lewis at HK Management – management for Stevie Nicks
  • Carl Stubner at Immortal Management – management for Mick Fleetwood

Notes
Release Date:  April 15, 2003 
Recording Location:  Cornerstone Recording Studios / Lindsey's Garage / Ocean Way Recording / The Bellagio House
Genre:  Pop/Rock
Duration:  1:16:15 

Label - Reprise

Wednesday, 15 October 2014

Fleetwood Mac - (Time (1995)

“Time” is the 16th studio album by British/American rock band Fleetwood Mac, released in 1995.
This album features a unique line-up for the band featuring the addition of former Traffic guitarist Dave Mason and country vocalist Bekka Bramlett, daughter of Delaney and Bonnie, to the line-up.
Lindsey Buckingham, who had left Fleetwood Mac in 1987, makes an appearance as a backing vocalist on one track (he made a similar cameo appearance on the band's previous album, “Behind the Mask”, but “Time” is the first and only Fleetwood Mac album since 1974's “Heroes Are Hard to Find” not to feature any contribution from Stevie Nicks.
The album also featured drummer Mick Fleetwood's first lead vocal on the seven minute "These Strange Times", produced by Duran Duran producer John Jones, and written with Beach Boys co-writer Ray Kennedy. The band undertook a worldwide tour in support of the album from July to the end of December 1994, and again from April to September 1995.
Within a year this line-up had collapsed with Mason, Bramlett and Billy Burnette all leaving the band, but Bramlett and Burnette recorded the Bekka & Billy album together in 1997, the same year Lindsey Buckingham and Stevie Nicks rejoined Fleetwood Mac.

Track listing

01. "Talkin' to My Heart"   (Billy Burnette, Deborah Allen, Rafe VanHoy)  - 4:54
02. "Hollywood (Some Other Kind of Town)"   (Christine McVie, Eddy Quintela)  - 5:43
03. "Blow by Blow"   (Dave Mason, John Cesario, Mark Holden)  - 4:24
04. "Winds of Change"   (Kit Hain)  - 4:26
05. "I Do"   (C. McVie, Quintela)  - 4:25
06. "Nothing Without You"   (Delaney Bramlett, Doug Gilmore, Bekka Bramlett)  - 3:06
07. "Dreamin' the Dream"   (B. Bramlett, Burnette)  - 3:43
08. "Sooner or Later"   (C. McVie, Quintela)  - 5:40
09. "I Wonder Why"   (Mason, Franke Previte, Tom Fuler)  - 4:28
10. "Nights in Estoril"   (C. McVie, Quintela)  - 4:45
11. "I Got It In for You"   (Burnette, Allen)  - 4:08
12. "All Over Again"   (C. McVie, Quintela)  - 3:32
13. "These Strange Times"   (Mick Fleetwood, Ray Kennedy)  - 7:04

Fleetwood Mac
Bekka Bramlett – vocals
Dave Mason – guitars, vocals
Billy Burnette – guitars, vocals
Christine McVie – keyboards, vocals
John McVie – bass guitar
Mick Fleetwood – drums, percussion; vocals and guitars

Additional personnel
Michael Thompson – guitars
Steve Thoma – keyboards
Lindsey Buckingham – backing vocals
Fred Tackett – trumpet
John Jones – keyboards, bass, guitar
Lucy Fleetwood – backing vocals

Production
Producers: Fleetwood Mac, Richard Dashut, John Jones, Ray Kennedy
Additional engineers: Alan Sanderson, Charlie Brocco, Allen Sides, John Jones, Jimmy Hotz, David Eike, Tom Nellen, Richard Huredia, Dave Shiffman
Mastered by Stephen Marcussen at Precision Mastering, assisted by Don Tyler
Cover concept by Mick Fleetwood
Art direction and design by Gabrielle Raumberger and Frank Chi
Photography by Lance Staedler, Bonnie & Dale McRaven, John McVie Family Archives

Notes
Recorded at Ocean Way Recording and Sunset Sound Recorders, Hollywood, California
Recording and mixing: Ken Allardyce; John Jones
Genre: Rock, Country Rock
Length: 60:18
Label: Warner Bros.

© 1995

Friday, 3 October 2014

Fleetwood Mac - Heroes Are Hard To Find (1974)

“Heroes Are Hard to Find” is the ninth studio album by British-American rock band Fleetwood Mac, released in 1974. This is the last album with Bob Welch, who left at the end of 1974, and was replaced by Lindsey Buckingham and Stevie Nicks. It was the first Fleetwood Mac studio album properly recorded in the US as well as the first to enter the Billboard top 40 albums chart. The title track was issued as a single but it failed to chart.
Although this was Bob Welch's last album with the band he had worked with since 1971, it sounds like he's at his peak. Pared down to a foursome for the first and (as of 2002) only time since the addition of Danny Kirwan, both Welch and Christine McVie contribute some of their finest songs. Bolstered by sympathetic self-production and imaginative, often aggressive arrangements that include brassy horns on the title track (a blatant but failed attempt at a hit single), the album is one of their most cohesive yet diverse.
Welch continues his fascination with UFOs in a sort of follow-up to Mystery to Me's "Hypnotized" called "Bermuda Triangle" and even heads into a spacy Hendrix "Third Stone From the Sun" groove on "Coming Home." Christine McVie is in wonderful voice on her own ballads like "Prove Your Love" but outdoes herself on the magnificent "Come a Little Bit Closer," a stunning track whose grandeur is heightened by strings and McVie's majestic piano.
It's a hidden classic and pedal steel by the Flying Burrito Brothers' Sneaky Pete Kleinow is an unexpected and perfect addition to the album's most fully realized tune. Welch's folk-pop "She's Changing Me" is one of his most upbeat, memorable melodies, offset by the rocker "Silver Heels" and his closing "Safe Harbor," a knowing nod back to Peter Green's atmospheric work on "Albatross" and his contributions to Then Play On. McVie's haunting rocker "Bad Loser" is reinforced by the propulsive rhythm section of Mick Fleetwood and John McVie, both adding tense bite to even the most tender of ballads.
Welch left soon after the album's release, and the group went on to bigger and better things, but Heroes is a minor gem that retains its effortless pop charms and contains some buried jewels in the extensive Fleetwood Mac catalog.

Track listing

01. "Heroes Are Hard to Find"   (Christine McVie)  - 3:35
02. "Coming Home"   (Bob Welch)  - 3:55
03. "Angel"   (Welch)  - 3:55
04. "Bermuda Triangle"   (Welch)  - 4:08
05. "Come a Little Bit Closer"   (Christine McVie)  - 4:04
06. "She's Changing Me"   (Welch)  - 2:58
07. "Bad Loser"   (Christine McVie)  - 3:25
08. "Silver Heels"   (Welch)  - 3:26
09. "Prove Your Love"   (Christine McVie)  - 3:57
10. "Born Enchanter"   (Welch)  - 2:54
11. "Safe Harbour"   (Welch)  - 2:32

Fleetwood Mac
Bob Welch - guitar, vocals, vibraphone
Christine McVie - keyboards, vocals, ARP String Ensemble
John McVie - bass guitar
Mick Fleetwood - drums, percussion

Additional personnel
Sneaky Pete Kleinow - pedal steel guitar on "Come a Little Bit Closer" and "She's Changing Me"

Production
Producers: Fleetwood Mac, Bob Hughes
Engineers: Doug Graves, Bob Hughes
Assistant engineer: Doug Graves
Remastering: Lee Herschberg
Horn arrangements: Nick DeCaro
String arrangements: Nick DeCaro
Design: Desmond Strobel

Notes
Genre: Blues Rock
Length: 39:26
Label: Reprise Records

© 1974
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