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Showing posts with label David Bowie. Show all posts
Showing posts with label David Bowie. Show all posts

Saturday, 19 September 2026














Tracklist

1.  Davy Jones & The Lower Third - You've Got A Habit Of Leaving  (2026 Remaster) - 2:34
2.  Davy Jones & The Lower Third - I Want Your Love  (Previously Unreleased) - 2:35
3.  Davy Jones & The Lower Third - Cupid  (Previously Unreleased) - 3:08
4.  The Manish Boys - I Pity The Fool  (2026 Remaster) - 2:15
5.  Davy Jones & The Lower Third - Baby Loves That Way  (2026 Remaster) - 3:03
6.  Davy Jones & The Lower Third - Keep Up With The Jones (instrumental)  (Previously Unreleased) - 2:05
7.  Davy Jones & The Lower Third - Leave Her To Me  (Previously Unreleased) - 2:51
8.  Davy Jones & The Lower Third - I'll Follow You  (2026 Remaster) - 2:01
9.  Davy Jones & The Lower Third - You Gotta Tell Her  (Previously Unreleased) - 2:40
10.  The Manish Boys - Take My Tip  (2026 Remaster) - 2:16
11.  Davy Jones & The Lower Third - Certain Woman  (Previously Unreleased) - 3:34
12.  Davy Jones & The Lower Third - Glad I've Got Nobody  (2026 Remaster) - 2:33
13.  David Bowie - Today  (Previously Unreleased) - 2:29
14.  David Bowie - I Want My Baby Back  (2026 Remaster) - 2:41
15.  David Bowie - I Live In Dreams  (Previously Unreleased) - 2:58
16.  David Bowie - Bars Of The County Jail  (2026 Remaster) - 2:09
17.  David Bowie - That’s Where My Heart Is  (2026 Remaster) - 2:43
18.  David Bowie - I Do Believe I Love You  (Previously Unreleased) - 2:13
19.  David Bowie - You've Got A Habit Of Leaving (alternative overdub / vocal)  (2026 Remaster) - 2:35
20.  The Manish Boys - I Pity The Fool (alternative vocal)  (2026 Remaster) - 2:15
21.  Davy Jones & The Lower Third - Baby Loves That Way (alternative vocal)  (Previously Unreleased) - 3:06
22.  The Manish Boys - Take My Tip (alternative vocal)  (2026 Remaster) - 2:17


A Shel Talmy Production
Recorded In London January - August 1965
Produced For Release By Alec Palao


Notes
Release: 18 september 2026
Genre:  Rock
Runtime:  57:11

Sunday, 5 June 2022

Baal is an EP by English musician David Bowie, comprising recordings of songs written for Bertolt Brecht’s play Baal. It is sometimes referred to as David Bowie in Bertolt Brecht's Baal, as credited on the sleeve. The EP was Bowie's final release of new material for RCA Records; he signed with EMI Records for his next album. 

In August 1981, Bowie had begun rehearsals to appear in the BBC version of Baal. The lyrics to the songs were all translated by Ralph Manheim and John Willett. Bowie did not think of the television play as a success on broadcast due to its cinematography, but had grown to appreciate it by 1983. Dominic Muldowney provided all new musical settings, except for "The Drowned Girl", which was a setting by Kurt Weill done originally for Das Berliner Requiem. In September 1981, Bowie and Tony Visconti returned to the Hansa studios in Berlin to re-record the five songs Baal performed in the play.
"Baal's Hymn" is a combination of the vignettes spread throughout the play and establishes Baal's amoral character. "Remembering Marie A." concerns Baal's reminiscences of a past conquest, where he can remember a cloud drifting overhead but not the face of the girl he was with. 
"Ballad of the Adventurers" is Baal's aggressive lament to the death of his mother. 
"The Drowned Girl" relates the suicide of one of Baal's conquests – a video clip for this song was shot by David Mallet at the same time as the one for "Wild is the Wind". 
"The Dirty Song" is a short number, with Baal humiliating his lover Sophie

Baal was not one of Bertolt Brecht's most appealing visions. The tale of a dissolute itinerant wretch whose natural talent for composing amoral ditties was mere accompaniment to his life of debauchery, it was the saga, according to David Bowie, of the original Super Punk -- which is doubtless what attracted him to it, when he was offered the title role in a 1982 BBC TV play.

Bowie perform five songs during the course of the play, each of which coupled Brecht's original lyric (as translated by John Willett) to a contemporary Dominic Muldowney arrangement. 
Recording in the same Hansa studios in Berlin where Brecht's own future partner, Kurt Weill, once worked, Bowie and producer Tony Visconti also borrowed Weill's favorite recording set-up -- a German theater band, one player per instrument, all arranged in a semi-circle. 
(Bowie would recreate this set-up for the video accompanying his next UK single, "Wild Is The Wind".") RCA originally intended releasing the Baal soundtrack as part of a new Bowie album -- the star's continued reluctance to record anything more than dilettante side bars, however, left them with no option but to pare their plans down to a single EP, released in Britain on the Friday before the play's March 2, 1982, transmission. 
The result was an uncompromising collection, considerably truer to Brecht than many outsiders expected, with its closest relatives within Bowie's own catalog being his occasional assaults on the Jacques Brel songbook -- early live favorites "Next" and "My Death," and the 1973 b-side "Amsterdam"." But even with that comparison, one is grasping; quite frankly, Baal served up a side of Bowie that he had often claimed existed, but which even his closest friends had seldom seen. 


Side A
1.  Baal's Hymn (Der Choral vom großen Baal)  (uncredited, Muldowney) - 4:02 
2.  Remembering Marie A. (Erinnerung an die Marie A.) (traditional, adapt. Brecht, trans. Willett                 traditional, adapt. Franz Servatius Bruinier, arr. Muldowney) - 2:07 

Side B
1.  Ballad of the Adventurers (Die Ballade von den Abenteurern) - 2:01 
2.  The Drowned Girl (Vom ertrunkenen Mädchen) (Kurt Weill, arr. Muldowney) - 2:26 
3.  The Dirty Song  (Ludwig Prestel, arr. Muldowney) - 0:38 

All lyrics are written by Bertolt Brecht and translated by John Willett; all music is composed by Dominic Muldowney, except were noted.


Personnel

Design

  • Andrew Christian – art direction
  • Partridge Rushton – design and artwork
  • John Timbers (Radio Times) – photography
  • uncredited photographer – Bertolt Brecht portrait (from In Life, In Pictures, In Text)
  • Frans Masereel – woodcut illustration (from The Radical Imagination)

Notes
Released:  13 February 1982 
Recorded:  September 1981 Studio Hansa by the Wall, Berlin 
Genre:  Pop
Length:  11:14 

Label - RCA Records

Sunday, 25 December 2016

David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie was an English singer, songwriter and actor. He was a figure in popular music for over five decades, regarded by critics and musicians as an innovator, particularly for his work in the 1970s. His career was marked by reinvention and visual presentation, his music and stagecraft significantly influencing popular music.

"Blackstar" is the twenty-fifth and final studio album by the English musician David Bowie, released worldwide through ISO, RCA, Columbia, and Sony on 8 January 2016, coinciding with Bowie's 69th birthday. It was largely recorded in secret at New York City's The Magic Shop with co-producer Tony Visconti and a group of local jazz musicians. Bowie died of liver cancer two days after its release; his illness had not been revealed to the public until then. Co-producer Visconti described the album as Bowie's intended swan song and a "parting gift" for his fans before his death.
Bowie recorded Blackstar while suffering from liver cancer; his illness was not made public until he died, two days after the album's release. Like Bowie's previous album The Next Day, recording took place in secret at the Magic Shop and Human Worldwide Studios in New York City. Bowie began writing and making demos for songs that appear on Blackstar as soon as sessions for The Next Day concluded. He recruited a local New York jazz combo led by Donny McCaslin as the backing band for the sessions.
Two songs that appear on Blackstar, "Sue (Or in a Season of Crime)" and "'Tis a Pity She Was a Whore", had been previously released, but were rerecorded for Blackstar, including new saxophone parts played on the latter song by McCaslin (replacing parts Bowie played on the original release). The title of the latter derives from the title 'Tis Pity She's a Whore, a play by John Ford, an English dramatist of the 17th century. McCaslin and the rest of the jazz group recorded their parts in the studio over a period of about one week a month from January to March 2015, and were reportedly unaware of Bowie's declining health - according to McCaslin, the band worked with Bowie "essentially from 11 to 4 every day", while bassist Tim Lefebvre stated that "it never looked to us like he was sick". The song "Lazarus" was included in Bowie's Off-Broadway musical of the same name.
The music on Blackstar has been characterised as incorporating art rock, jazz, and experimental rock, as well as elements from industrial rock, folk-pop and hip hop.According to producer Tony Visconti, they deliberately attempted "to avoid rock’n’roll" while making the album, and he and Bowie had been listening to rapper Kendrick Lamar's 2015 album To Pimp a Butterfly during the recording sessions and cited it as an influence. Electronic duo Boards of Canada and experimental hip-hop trio Death Grips have also been cited as influences. The saxophone was the first instrument Bowie learned, and he was an avid jazz listener in his youth.

Tracklist

1.  "Blackstar"  (9:57)
2.  "'Tis a Pity She Was a Whore"  (4:52)
3.  "Lazarus"  (6:22)
4.  "Sue (Or in a Season of Crime)"  (Bowie, Maria Schneider, Paul Bateman, Bob Bharma) (4:40)
5.  "Girl Loves Me"  (4:51)
6.  "Dollar Days"  (4:44)
7.  "I Can't Give Everything Away"  (5:47)

All tracks written by David Bowie, except where noted.

Personnel
Notes

Released: 8 January 2016 
Recorded: 2014–15 Studio The Magic Shop (New York City), Human Worldwide Studios (New York City)
Genre: Post-rock, Art rock, Experimental Rock
Length: 41:17 

Label - ISO Records

Saturday, 8 November 2014

During the supporting tour for 1974's Diamond Dogs, David Bowie shifted away from the arch camp of glam rock and turned toward a highly stylized variation of Philly soul, a transition captured on the 1974 double live album, “David Live”.
The album was recorded in July of that year, on the initial leg of Bowie's US Diamond Dogs Tour, at the Tower Theater in Upper Darby, PA, a suburb of Philadelphia. (The second leg, a more soul-oriented affair following recording sessions in Philadelphia for the bulk of Young Americans, would be renamed 'Philly Dogs'.)
The album catches Bowie in transition from the Ziggy Stardust/Aladdin Sane glam-rock era of his career to the 'plastic soul' of “Young Americans”. While the cover featured a picture of Bowie in his latest soul threads baggy trouser suit complete with shoulder pads and braces from October 1974 the music was recorded in July of that year when he was showcasing his two most recent studio albums of original material, “Diamond Dogs” and “Aladdin Sane”, as well as selected favourites from “Ziggy Stardust” and earlier.
The tour was Bowie's most ambitious to date, featuring a giant set designed to evoke "Hunger City", the post-apocalyptic setting for “Diamond Dogs”, and his largest band, led by Michael Kamen. For "Space Oddity, Bowie sang using a radio microphone disguised as a telephone whilst being raised and lowered above the stage by a cherry picker crane. The tour was documented in Alan Yentob's Cracked Actor (1975).

Track listing

Side one
1. "1984"  - 3:20
2. "Rebel Rebel"  - 2:40
3. "Moonage Daydream"  - 5:10
4. "Sweet Thing"  - 8:48
    "Sweet Thing"
    "Candidate"
    "Sweet Thing (Reprise)"

Side two
1. "Changes"  - 3:34
2. "Suffragette City"  - 3:45
3. "Aladdin Sane"  - 4:57
4. "All the Young Dudes"  - 4:18
5. "Cracked Actor"  - 3:29

Side three
1. "Rock 'n' Roll with Me"  (lyrics: Bowie, music: Bowie, Warren Peace)  - 4:18
2. "Watch That Man" - 4:55
3. "Knock on Wood"  (Eddie Floyd, Steve Cropper)  - 3:08
4. "Diamond Dogs" - 6:32

Side four
1. "Big Brother"  - 4:08
    "Big Brother"
    "Chant of the Ever-Circling Skeletal Family"
2. "The Width of a Circle"  - 8:12
3. "The Jean Genie"  - 5:13
4. "Rock 'n' Roll Suicide"  - 4:30

Credits
David Bowie – vocals
Earl Slick – guitar
Herbie Flowers – bass
Michael Kamen – electric piano, Moog, oboe, arrangements
Tony Newman – drums
Pablo Rosario – percussion
David Sanborn – alto sax, flute
Richard Grando – baritone sax, flute
Mike Garson – piano, Mellotron
Gui Andrisano – backing vocals
Warren Peace – backing vocals
Producer - Tony Visconti

Notes
Recorded at Tower Theater, Upper Darby, PA, 8 July 1974-12 July 1974
Genre:  Glam Rock
Length: 80:37
Label:  RCA Records

© 1974