August 02, 2013

The Gregg Allman Band - Just Before The Bullets Fly (1988)

The Gregg Allman Band, also known as Gregg Allman & Friends, is a Southern rock/blues rock group that Gregg Allman established and has led since the 1970s, during periods when Allman has been recording and performing separate from the Allman Brothers Band and has chosen not to perform exclusively as a solo artist. 1988's

1988's "Just Before The Bullets Fly" is the second of The Gregg Allman Band. If you're an Allman Brothers fan, of course this will be a good addition to your collection. On the other hand, if you're not a Brothers fan, this is still an excellent album to have. What's the difference, you may ask. Well, first of all; the producer, Rodney Mills. The sound on this album is far clearer than most Brothers albums. Secondly, and no offence to Dickie Betts; Dan Toler (once a Brothers member) is doing such a terrific job of his guitar playing. All through the album, in fact. The music? Typical Gregg Allman blues with hints of funk (Thorn And A Wild Rose, Island).
Essentially, the album is I'm No Angel, Pt. 2, with the same glossy mixes and straight-ahead rock & roll. This isn't a bad thing, in theory, and the execution is solid. It's just that the songs aren't there. There are a couple of moments that work namely, the opening punch of "Demons" and "Before the Bullets Fly" but most of the tunes aren't terribly memorable, and the ultra-slick production doesn't help matters. Given this tepid effort, it's little wonder that it took Allman nearly ten years to deliver a sequel. This album was recorded just prior to the great Allman Brothers Band reunion that started in 1989, which has produced 5 suprisingly wonderful ABB albums. Although this album has some great songs on it, the majority of the music is overproduced - including synthesizers taking the place of real backup horns. Some of these songs he still plays with his current solo band (Slip Away, Before the Bullets Fly) and they have an honest, roots-type R&B sound to them when performed in concert nearly 10 years later. Too bad he didn't record these songs that way.


01.  Demons   (Gregg Allman, Dan Toler, David Toler)  - 3:28
02.  Before the Bullets Fly  (Warren Haynes, John Jaworowicz, Williams)  - 3:41
03.  Slip Away  (William Armstrong, Marcus Daniel, Wilbur Terrell)  - 4:31
04.  Thorn and a Wild Rose  (Tony Colton, Dan Toler, Bruce Waibel)  - 4:14
05.  Ocean Awash the Gunwale  (Gregg Allman, Tony Colton, Dan Toler)  - 4:53
06.  Can't Get Over You  (Billy Burnette, David Malloy)  - 3:28
07.  Island   (Gregg Allman, Tony Colton, Johnny Neel, Dan Toler)  - 4:17
08.  Fear of Falling  (Gregg Allman, Tim Heding, Jeffrey Townsend)  - 3:35
09.  Night Games  (Gregg Allman, Tony Colton, Dan Toler)  - 3:53
10.  Every Hungry Woman  (Gregg Allman)  - 4:33

Released: 1988
Label:  Epic Records
Genre:   Southern rock
Length: 40:11
Producer:  Rodney Mills

Credits
Gregg Allman – Keyboards, Hammond Organ, Lead Vocals
Tim Heding – Keyboards, Background Vocals
Dan Toler – Guitar, Keyboards
David Frankie Toler – Drums
Chaz Trippy – Percussion
Bruce Waibel – Bass Guitar, Background Vocals
Michael Caplan – Executive Producer
Rodney Mills – Producer, Engineer, Mixing
Christopher Austopchuk – Art Direction
Caroline Greyshock – Photography
Jeffrey Dean – Set Design
Mike Gallo – Electronics
William Perkins – Direction

August 01, 2013

Brooklyn Funk Essentials - Cool And Steady And Easy (1995)

Brooklyn Funk Essentials is a music collective who mix jazz, funk, and hip hop, featuring musicians and poets from different cultures.

The band was conceived in 1993 by producer Arthur Baker and bassist and musical director Lati Kronlund. In the mid-1990s, the group became a staple of the New York City club scene. Their debut album Cool And Steady And Easy (1995) scored an underground hit with the rendition of Pharoah Sanders' "The Creator Has a Master Plan". This is one funky album. Its funky but not too hip-hoppy, not too acid jazzy either. A solid rythm section holds the bottom end while horns and/or vocals literally bounce and float over the top. The Brooklyn Funk Essentials are more funky and jazzy with some reggae and world beats thrown in. This is outstanding funk with a spiritual, "feel good" influence. Check out tunes like "The Creator Has a Master Plan" and "Take the L Train." Brooklyn Funk Essentials is able to shift gears between instrumental jazz ("Take the L Train"), jazz-influenced funk (" The Creator Has A Master Plan," "Bop Hop," "Blow your Brains Out"), and tracks like "The Revolution Was Postponed Because Of Rain," that are just funny. The latter song describes the many pitfalls that befall a group planning a revolution, including being delayed by a new trainee cashier at a fast-food restaurant who wails, "Ahh, where's the button for the fries?" as the revolutionaries' moment of opportunity slips away. The musicians are excellent (they were all professional studio musicians before forming BFE), as are the vocalists. The sampling is appropriate to the music and adds texture - too many groups don't seem to be thinking when they throw in another James Brown sample. The music is loaded with energy as opposed to the more mellow offerings by other jazz-influenced groups like Morcheeba or Massive Attack. A good soundtrack to an urban summer, this album showcases the flamboyant side of New York ("Big Apple Boogaloo" can be heard in the film "Party Girl") and is appropriate for just about any occasion.


01. Take The L Train (To B'klyn)  (Kronlund)   - 5:50
02. The Creator Has A Master Plan   (Thomas, Sanders) (Vocals by: Joi Cardwell)  - 5:51
03. The Revolution Was Postponed Because Of Rain   (Kronlund, Allen) (Vocals by: David Allen)   - 4:59
04. Bop Hop   (Arthur Baker)  - 5:13
05. Brooklyn Recycles   (Baker, Roseman)  - 5:25
06. Mizz Bed-Stuy   (Arthur Baker)   - 4:10
07. A Headnaddas Journey To The Planet Adidi-Skizm   (Baker, Shapiro, Sha-Key) (Vocals by: Sha-key)  - 6:15
08. Big Apple Boogaloo  (Baker)   - 6:21
09. Blow Your Brains Out   (Baker, Parker) (Saxophone [Tenor] by: Maceo Parker)   - 4:59
10. Stickman Crossing The Brooklyn Bridge  (Baker, Brockman, Allen) (Vocals by: David Allen)   - 7:27
11. Dilly Dally  (Sylvester, Roseman)  - 5:10
12. Take The L Train (To 8th Ave.)  (krolund)  - 4:05

Release: 1995
Label:  RCA Records
Genre:  Funk, Acid Jazz
Length:  65:45

Credits
Bass, Guitar, Keyboards - Lati Kronlund
Drums - Yancy Drew Lambert
Featuring [Samples] - Arthur Baker
Flugelhorn, Trumpet - Bassy Bob Brockmann
Flute, Saxophone - Paul Shapiro
Percussion - E.J. Rodriguez
Scratches [Turntables] - DJ Jazzy Nice
Synthesizer - Kristoffer Wallman
Trombone - Joshua Roseman
Vibraphone - Bill Ware III
Vocals - Everton Sylvester, Papa Dee, Paul Shapiro

Produced-by:  Arthur Baker, Lati Kronlund
Engineer [Editing]:  Jim Betteridge, Sam Park
Engineer [Mix]:  Bassy Bob Brockmann, Louis Scalise
Executive Producer:  Arthur Baker, Bill Coleman, Lati Kronlund
Mastered By:  Miles Showell
Mixed By:  Arthur Baker, Bassy Bob Brockmann, Lati Kronlund, Louis Scalise