“The Wind”
is the twelfth and final studio album by American singer/songwriter Warren
Zevon, released in 2003. Zevon began recording the album shortly after he was
diagnosed with inoperable pleural mesothelioma (a cancer of the lining of the
lung), and it was released just two weeks before his death on September 7,
2003. The album was awarded the Grammy Award for Best Contemporary Folk Album. "Disorder
in the House", performed by Zevon and Bruce Springsteen, won Best Rock
Vocal Performance (Group or Duo). Songs from the album were nominated for an
additional three Grammys.
In late August of 2002, Warren Zevon was diagnosed with mesothelioma, a virulent and inoperable form of lung cancer; with his life expectancy expected to be no more than a few months, Zevon focused his dwindling energies on completing a final album, and The Wind, released a year after Zevon learned of his condition, was the result.
With a back story like that, it's all but impossible to ignore the subtext of Zevon's mortality while listening to “The Wind”, though, thankfully, he's opted not to make an album about illness or death (ironically, he already did that with 2000's Life'll Kill Ya) or create a musical last will and testament. While The Wind occasionally and obliquely touches on Zevon's illness most notably the mournful "Keep Me in Your Heart" and the dirty blues raunch of "Rub Me Raw" in many ways it sounds like a fairly typical Warren Zevon album, though of course this time out the caustic wit cuts a bit deeper, the screeds against a world gone mad sound more woeful, and the love songs suggest higher emotional stakes than before.
"The Wind" also lays in a higher compliment of celebrity guest stars than usual, and while obviously a lot of these folks are old friends wanting to help a pal in need, in some cases the ringers help to carry the weight for Zevon, who, while in good voice, can't summon up the power he did in his salad days. And remarkably, the trick works on several cuts; Bruce Springsteen's rollicking guest vocal on "Disorder in the House" offers just the kick the tune needed, Tom Petty's laid-back smirk brings a sleazy undertow to "The Rest of the Night," and Dwight Yoakam's harmonies on "Dirty Life and Times" are the perfect touch for the tune. In terms of material, The Wind isn't a great Zevon album, but it's a pretty good one; "El Amour de Mi Vida" is a simple but affecting look at lost love, "Prison Grove" is a superior character piece about life behind bars, and "Numb as a Statue," "Disorder in the House," and "Dirty Life and Times" prove the prospect of imminent death hasn't alleviated Zevon's cynicism in the least. (It's hard to say if he's being sincere or darkly witty with his cover of "Knockin' on Heaven's Door," though he manages to make it work both ways.) And the assembled musicians among them Ry Cooder, David Lindley, Joe Walsh, Don Henley, and Jim Keltner serve up their best licks without taking the show away from Zevon, who, despite his obvious weakness, firmly commands the spotlight.
“The Wind” feels less like a grand final statement of Warren Zevon's career than one last walk around the field, with the star nodding to his pals, offering a last look at what he does best, and quietly but firmly leaving listeners convinced that he exits the game with no shame and no regrets. Which, all in all, is a pretty good way to remember the guy.
Track listing
01. "Dirty Life and Times" (Zevon) - 3:15
02. "Disorder in the House" (Jorge Calderón, Zevon) - 4:36
03. "Knockin' on Heaven's Door" (Bob Dylan) - 4:05
04. "Numb as a Statue" (Calderón, Zevon) - 4:08
05. "She's Too Good for Me" (Zevon) - 3:12
06. "Prison Grove" (Calderón, Zevon) - 4:51
07. "El Amor de Mi Vida" (Calderón, Zevon) - 3:34
08. "The Rest of the Night" (Calderón, Zevon) - 4:41
09. "Please Stay" (Zevon) - 3:34
10. "Rub Me Raw" (Calderón, Zevon) - 5:44
11. "Keep Me in Your Heart" (Calderón, Zevon) - 3:28
Credits
Warren Zevon - vocals, acoustic guitar, electric guitar, piano, keyboards
Jorge Calderón - acoustic guitar, electric guitar, tres, maracas, background vocals
Tommy Shaw - acoustic 12-string guitar, background vocals
Brad Davis - electric guitar, background vocals
Bruce Springsteen - electric guitar, background vocals
Mike Campbell - electric guitar
Randy Mitchell - slide guitar, background vocals
Joe Walsh - slide guitar
Ry Cooder - slide guitar
David Lindley - lap steel guitar, background vocals
Gil Bernal - saxophone
James Raymond - piano
Reggie Hamilton - upright bass
Luis Conte - drums, congas, bongos, maracas, percussion
Steve Gorman - drums
Don Henley - drums
Jim Keltner - drums
Dwight Yoakam, Emmylou Harris, Jackson Browne, John Waite, Jordan Zevon, T-Bone Burnett, Timothy B. Schmit, Tom Petty, Billy Bob Thornton (background vocals)
Bridgette Barr – executive production
Hugh Brown – art direction
Steve Churchyard – engineering
Greg Hayes – engineering
Stephen Marcussen – mastering
James Mitchell – engineering
Matthew Rolston – cover photo
Noah Scot Snyder – engineering, mixing, production
Joe West – engineering
Jordan Zevon – executive production
Producer - Jorge Calderón, Noah Scot Snyder, Warren Zevon
Notes
Recorded at Anatomy Of A Headache; Cherokee studios; Fancyboy Studios; Groovemasters; Henson Studios; Masterlink Studios; Sunset sound; The cave
Genre: Rock, folk rock
Length: 45:08
Label: Artemis/Rykodisc
© 2003
In late August of 2002, Warren Zevon was diagnosed with mesothelioma, a virulent and inoperable form of lung cancer; with his life expectancy expected to be no more than a few months, Zevon focused his dwindling energies on completing a final album, and The Wind, released a year after Zevon learned of his condition, was the result.
With a back story like that, it's all but impossible to ignore the subtext of Zevon's mortality while listening to “The Wind”, though, thankfully, he's opted not to make an album about illness or death (ironically, he already did that with 2000's Life'll Kill Ya) or create a musical last will and testament. While The Wind occasionally and obliquely touches on Zevon's illness most notably the mournful "Keep Me in Your Heart" and the dirty blues raunch of "Rub Me Raw" in many ways it sounds like a fairly typical Warren Zevon album, though of course this time out the caustic wit cuts a bit deeper, the screeds against a world gone mad sound more woeful, and the love songs suggest higher emotional stakes than before.
"The Wind" also lays in a higher compliment of celebrity guest stars than usual, and while obviously a lot of these folks are old friends wanting to help a pal in need, in some cases the ringers help to carry the weight for Zevon, who, while in good voice, can't summon up the power he did in his salad days. And remarkably, the trick works on several cuts; Bruce Springsteen's rollicking guest vocal on "Disorder in the House" offers just the kick the tune needed, Tom Petty's laid-back smirk brings a sleazy undertow to "The Rest of the Night," and Dwight Yoakam's harmonies on "Dirty Life and Times" are the perfect touch for the tune. In terms of material, The Wind isn't a great Zevon album, but it's a pretty good one; "El Amour de Mi Vida" is a simple but affecting look at lost love, "Prison Grove" is a superior character piece about life behind bars, and "Numb as a Statue," "Disorder in the House," and "Dirty Life and Times" prove the prospect of imminent death hasn't alleviated Zevon's cynicism in the least. (It's hard to say if he's being sincere or darkly witty with his cover of "Knockin' on Heaven's Door," though he manages to make it work both ways.) And the assembled musicians among them Ry Cooder, David Lindley, Joe Walsh, Don Henley, and Jim Keltner serve up their best licks without taking the show away from Zevon, who, despite his obvious weakness, firmly commands the spotlight.
“The Wind” feels less like a grand final statement of Warren Zevon's career than one last walk around the field, with the star nodding to his pals, offering a last look at what he does best, and quietly but firmly leaving listeners convinced that he exits the game with no shame and no regrets. Which, all in all, is a pretty good way to remember the guy.
Track listing
01. "Dirty Life and Times" (Zevon) - 3:15
02. "Disorder in the House" (Jorge Calderón, Zevon) - 4:36
03. "Knockin' on Heaven's Door" (Bob Dylan) - 4:05
04. "Numb as a Statue" (Calderón, Zevon) - 4:08
05. "She's Too Good for Me" (Zevon) - 3:12
06. "Prison Grove" (Calderón, Zevon) - 4:51
07. "El Amor de Mi Vida" (Calderón, Zevon) - 3:34
08. "The Rest of the Night" (Calderón, Zevon) - 4:41
09. "Please Stay" (Zevon) - 3:34
10. "Rub Me Raw" (Calderón, Zevon) - 5:44
11. "Keep Me in Your Heart" (Calderón, Zevon) - 3:28
Credits
Warren Zevon - vocals, acoustic guitar, electric guitar, piano, keyboards
Jorge Calderón - acoustic guitar, electric guitar, tres, maracas, background vocals
Tommy Shaw - acoustic 12-string guitar, background vocals
Brad Davis - electric guitar, background vocals
Bruce Springsteen - electric guitar, background vocals
Mike Campbell - electric guitar
Randy Mitchell - slide guitar, background vocals
Joe Walsh - slide guitar
Ry Cooder - slide guitar
David Lindley - lap steel guitar, background vocals
Gil Bernal - saxophone
James Raymond - piano
Reggie Hamilton - upright bass
Luis Conte - drums, congas, bongos, maracas, percussion
Steve Gorman - drums
Don Henley - drums
Jim Keltner - drums
Dwight Yoakam, Emmylou Harris, Jackson Browne, John Waite, Jordan Zevon, T-Bone Burnett, Timothy B. Schmit, Tom Petty, Billy Bob Thornton (background vocals)
Bridgette Barr – executive production
Hugh Brown – art direction
Steve Churchyard – engineering
Greg Hayes – engineering
Stephen Marcussen – mastering
James Mitchell – engineering
Matthew Rolston – cover photo
Noah Scot Snyder – engineering, mixing, production
Joe West – engineering
Jordan Zevon – executive production
Producer - Jorge Calderón, Noah Scot Snyder, Warren Zevon
Notes
Recorded at Anatomy Of A Headache; Cherokee studios; Fancyboy Studios; Groovemasters; Henson Studios; Masterlink Studios; Sunset sound; The cave
Genre: Rock, folk rock
Length: 45:08
Label: Artemis/Rykodisc
© 2003
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