“Random
Access Memories” is the fourth studio album by French electronic music duo Daft
Punk. The album pays tribute to the late 1970s and early 1980s era of music in
the United States ,
particularly the sounds that emerged from Los
Angeles .
Unlike their previous studio albums, Daft Punk recruited session musicians to perform live instrumentation in professional recording locations, and limited the use of electronic instruments to drum machines, a custom-built modular synthesizer, and vintage vocoders. The album features collaborations with Giorgio Moroder, Panda Bear, Julian Casablancas, Todd Edwards, DJ Falcon, Chilly Gonzales, Nile Rodgers, Paul Williams, and Pharrell Williams.
When Daft Punk announced they were releasing a new album eight years after 2005's “Human After All”, fans were starved for new material. “The Tron: Legacy” score indulged the seminal dance duo's sci-fi fantasies but didn't offer much in the way of catchy songs, so when “Random Access Memories” extensive publicity campaign featured tantalizing clips of a new single, "Get Lucky," their fan base exploded. But when the album finally arrived, that hugely hyped single was buried far down its track list, emphasizing that most of these songs are very much not like "Get Lucky" or a lot of the pair's previous music, at least on the surface.
The album isn't much like 2010s EDM, either. Instead, Daft Punk separate themselves from most contemporary electronic music and how it's made, enlisting some of their biggest influences to help them get the sounds they needed without samples.
On Homework's "Teachers," they reverently name-checked a massive list of musicians and producers; here, they place themselves on equal footing with disco masterminds Giorgio Moroder and Nile Rodgers, referring to them as "collaborators." That could be self-aggrandizing, yet it's also strangely humble when they take a back seat to their co-stars, especially on one of RAM's definitive moments, "Giorgio by Moroder," where the producer shares his thoughts on making music with wild guitar and synth solos trailing behind him. Elsewhere, Daft Punk nod to their symbiotic relationship with indie on the lovely "Doin' It Right," which makes the most of Panda Bear's boyish vocals, and on the Julian Casablancas cameo "Instant Crush," which is only slightly more electronic than the Strokes' Comedown Machine. And of course, Pharrell Williams is the avatar of their dancefloor mastery on the sweaty disco of "Lose Yourself to Dance" as well as "Get Lucky," which is so suave that it couldn't help but be an instant classic, albeit a somewhat nostalgic one. Indeed, "memories" is the album's keyword: Daft Punk celebrate the late '70s and early '80s with lavish homages like "Give Life Back to Music" one of several terrific showcases for Rodgers and the spot-on soft rock of the Todd Edwards collaboration "Fragments of Time.
" More importantly, “Random Access Memories” taps into the wonder and excitement in that era's music. A particularly brilliant example is "Touch," where singer/songwriter Paul Williams conflates his work in Phantom of theParadise
and The Muppet Movie in the song's mystique, charm, and fragile yet unabashed
emotions. Often, there's an almost gooey quality to the album; Daft Punk have
never shied away from "uncool" influences or sentimentality, and both
are on full display here. At first, it's hard to know what to make of all the
fromage, but “Random Access Memories” reveals itself as the kind of grand,
album rock statement that listeners of the '70s and '80s would have spent weeks
or months dissecting and absorbing the
ambition of Steely Dan, Alan Parsons, and Pink Floyd are as vital to the album
as any of the duo's collaborators. For the casual Daft Punk fan, this album
might be harder to love than "Get Lucky" hinted; it might be too
nostalgic, too overblown, a shirking of the group's duty to rescue dance music
from the Young Turks who cropped up in their absence.
But “Random Access Memories” is also Daft Punk's most personal work, and richly rewarding for listeners willing to spend time with it.
Track listing
01. "Give Life Back to Music" (Bangalter, Guy-Manuel de Homem-Christo, P.Jackson, Jr., N.Rodgers) - 4:34
02. "The Game of Love" (Bangalter, de Homem-Christo) - 5:21
03. "Giorgio by Moroder" (Bangalter, de Homem-Christo, Giorgio Moroder) - 9:04
04. "Within" (Bangalter, Jason "Chilly Gonzales" Beck, de Homem-Christo) - 3:48
05. "Instant Crush" (feat. Julian Casablancas) (Bangalter, Julian Casablancas, de Homem-Christo) - 5:37
06. "Lose Yourself to Dance" (feat. Pharrell Williams) (Bangalter, de Homem-Christo, N.Rodgers, P.Williams) - 5:53
07. "Touch" (feat. Paul Williams) (Bangalter, Chris Caswell, de Homem-Christo, Paul Williams) - 8:18
08. "Get Lucky" (feat. Pharrell Williams) (Bangalter, de Homem-Christo, Rodgers, P.Williams) - 6:08
09. "Beyond" (Bangalter, Caswell, de Homem-Christo, Paul Williams) - 4:50
10. "Motherboard" (Bangalter, de Homem-Christo) - 5:41
11. "Fragments of Time" (feat. Todd Edwards) (Bangalter, de Homem-Christo, Todd Imperatrice) - 4:39
12. "Doin' It Right" (feat. Panda Bear) (Bangalter, de Homem-Christo, Noah Lennox) - 4:11
13. "Contact" (Bangalter, de Homem-Christo, Stéphane Quême, Garth Porter, Tony Mitchell, Daryl Braithwaite) - 6:21
Credits
Daft Punk – vocals, modular synthesizer, keyboards, guitar, production, concept, art direction
Panda Bear – vocals
Julian Casablancas – vocals, lead guitar
Todd Edwards – vocals, co-production
DJ Falcon – modular synthesizer (with Daft Punk) and co-production
Chilly Gonzales – keyboards, piano
Giorgio Moroder – voice
Nile Rodgers – guitar
Paul Williams – vocals
Pharrell Williams – vocals
Additional musicians
Greg Leisz – pedal steel guitar, lap steel guitar
Chris Caswell – keyboards, orchestration, arrangements
Paul Jackson, Jr. – guitar
Nathan East – bass
James Genus – bass
John "J.R." Robinson – drums
Omar Hakim – drums
Quinn – percussion
Thomas Bloch – ondes Martenot, cristal baschet
Production
Bob Ludwig – mastering
Chab (Antoine Chabert) - mastering
Paul Hahn – management
Cédric Hervet – creative director, cover art
Warren Fu – cover art, illustrations
Mick Guzauski – recording, mixing engineer
Peter Franco – recording engineer
Florian Lagatta – recording engineer
David Lerner – digital audio engineer
Producer - Thomas Bangalter - Guy-Manuel de Homem-Christo
Notes
Recorded 2008, 2010–2012; Paris (Gang Recording Studio), New York City (Electric Lady Studios), Los Angeles (Henson Recording Studios, Capitol Studios, Conway Recording Studios)
Genre: Disco, Electronic
Length: 74:24
Label: Daft Life/Columbia Records
© 2013
Unlike their previous studio albums, Daft Punk recruited session musicians to perform live instrumentation in professional recording locations, and limited the use of electronic instruments to drum machines, a custom-built modular synthesizer, and vintage vocoders. The album features collaborations with Giorgio Moroder, Panda Bear, Julian Casablancas, Todd Edwards, DJ Falcon, Chilly Gonzales, Nile Rodgers, Paul Williams, and Pharrell Williams.
When Daft Punk announced they were releasing a new album eight years after 2005's “Human After All”, fans were starved for new material. “The Tron: Legacy” score indulged the seminal dance duo's sci-fi fantasies but didn't offer much in the way of catchy songs, so when “Random Access Memories” extensive publicity campaign featured tantalizing clips of a new single, "Get Lucky," their fan base exploded. But when the album finally arrived, that hugely hyped single was buried far down its track list, emphasizing that most of these songs are very much not like "Get Lucky" or a lot of the pair's previous music, at least on the surface.
The album isn't much like 2010s EDM, either. Instead, Daft Punk separate themselves from most contemporary electronic music and how it's made, enlisting some of their biggest influences to help them get the sounds they needed without samples.
On Homework's "Teachers," they reverently name-checked a massive list of musicians and producers; here, they place themselves on equal footing with disco masterminds Giorgio Moroder and Nile Rodgers, referring to them as "collaborators." That could be self-aggrandizing, yet it's also strangely humble when they take a back seat to their co-stars, especially on one of RAM's definitive moments, "Giorgio by Moroder," where the producer shares his thoughts on making music with wild guitar and synth solos trailing behind him. Elsewhere, Daft Punk nod to their symbiotic relationship with indie on the lovely "Doin' It Right," which makes the most of Panda Bear's boyish vocals, and on the Julian Casablancas cameo "Instant Crush," which is only slightly more electronic than the Strokes' Comedown Machine. And of course, Pharrell Williams is the avatar of their dancefloor mastery on the sweaty disco of "Lose Yourself to Dance" as well as "Get Lucky," which is so suave that it couldn't help but be an instant classic, albeit a somewhat nostalgic one. Indeed, "memories" is the album's keyword: Daft Punk celebrate the late '70s and early '80s with lavish homages like "Give Life Back to Music" one of several terrific showcases for Rodgers and the spot-on soft rock of the Todd Edwards collaboration "Fragments of Time.
" More importantly, “Random Access Memories” taps into the wonder and excitement in that era's music. A particularly brilliant example is "Touch," where singer/songwriter Paul Williams conflates his work in Phantom of the
But “Random Access Memories” is also Daft Punk's most personal work, and richly rewarding for listeners willing to spend time with it.
02. "The Game of Love" (Bangalter, de Homem-Christo) - 5:21
03. "Giorgio by Moroder" (Bangalter, de Homem-Christo, Giorgio Moroder) - 9:04
04. "Within" (Bangalter, Jason "Chilly Gonzales" Beck, de Homem-Christo) - 3:48
05. "Instant Crush" (feat. Julian Casablancas) (Bangalter, Julian Casablancas, de Homem-Christo) - 5:37
06. "Lose Yourself to Dance" (feat. Pharrell Williams) (Bangalter, de Homem-Christo, N.Rodgers, P.Williams) - 5:53
07. "Touch" (feat. Paul Williams) (Bangalter, Chris Caswell, de Homem-Christo, Paul Williams) - 8:18
08. "Get Lucky" (feat. Pharrell Williams) (Bangalter, de Homem-Christo, Rodgers, P.Williams) - 6:08
09. "Beyond" (Bangalter, Caswell, de Homem-Christo, Paul Williams) - 4:50
10. "Motherboard" (Bangalter, de Homem-Christo) - 5:41
11. "Fragments of Time" (feat. Todd Edwards) (Bangalter, de Homem-Christo, Todd Imperatrice) - 4:39
12. "Doin' It Right" (feat. Panda Bear) (Bangalter, de Homem-Christo, Noah Lennox) - 4:11
13. "Contact" (Bangalter, de Homem-Christo, Stéphane Quême, Garth Porter, Tony Mitchell, Daryl Braithwaite) - 6:21
Daft Punk – vocals, modular synthesizer, keyboards, guitar, production, concept, art direction
Panda Bear – vocals
Julian Casablancas – vocals, lead guitar
Todd Edwards – vocals, co-production
DJ Falcon – modular synthesizer (with Daft Punk) and co-production
Chilly Gonzales – keyboards, piano
Giorgio Moroder – voice
Nile Rodgers – guitar
Paul Williams – vocals
Pharrell Williams – vocals
Greg Leisz – pedal steel guitar, lap steel guitar
Chris Caswell – keyboards, orchestration, arrangements
Paul Jackson, Jr. – guitar
Nathan East – bass
James Genus – bass
John "J.R." Robinson – drums
Omar Hakim – drums
Quinn – percussion
Thomas Bloch – ondes Martenot, cristal baschet
Production
Bob Ludwig – mastering
Chab (Antoine Chabert) - mastering
Paul Hahn – management
Cédric Hervet – creative director, cover art
Warren Fu – cover art, illustrations
Mick Guzauski – recording, mixing engineer
Peter Franco – recording engineer
Florian Lagatta – recording engineer
David Lerner – digital audio engineer
Producer - Thomas Bangalter - Guy-Manuel de Homem-Christo
Recorded 2008, 2010–2012; Paris (Gang Recording Studio), New York City (Electric Lady Studios), Los Angeles (Henson Recording Studios, Capitol Studios, Conway Recording Studios)
Genre: Disco, Electronic
Length: 74:24
Label: Daft Life/Columbia Records
© 2013
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