Jazz got some love, even. British groups like The Style Council and Prefab Sprout explored jazzy textures in their music, and scored hits. And back here in the USA, country music influences found their way into hard-charging rock’n’roll. Bands like Green on Red, The Long Ryders and Jason and the Scorchers applied a twangy, heartland musical vision to songs that had all the fire and vitality (and hooks and melody) of the new music.
Another great group that played countrified music that appealed to new music listeners was the Beat Farmers. Appearing on the scene in 1983, the band featuring the outsized personality of drummer Country Dick Montana was an exemplar of the nexus at which country and rock could meet.
The wrote catchy songs, which helped immeasurably. So while a cover of The Velvet Underground’s “There she Goes” showed that the tune could be rocked-up and twangified at the same time, it was the band’s original material that best showcased its virtues.
The Beat Farmers blasted out of the gate with their 1985 debut LP, Tales of the New West. A near-perfect record, it was also one that the group would never again equal on subsequent studio outings. As is so often the case with exciting bands, there was something ineffable about The Beat Farmers’ live shows that recording studios couldn’t easily capture or communicate.
The band made few concessions to current trends. On a spectrum that has, say, Johnny Cash on one end and Thompson Twins on the other, “California Kid” and “Happy Boy” peg the needle to the former. And the skilled production duo of Steve Berlin (Los Lobos) and Mark Linnett completely avoids any of the sonic trappings that would make so much of the ‘80s music sound dated (yeah, Phil Collins: I’m lookin’ at you, again).
- Phonographic Copyright ℗ – Rhino Records Inc.
- Copyright © – Rhino Records Inc.
- Published By – Dude Raunch Music
- Published By – Bug Music
- Published By – Paul Kamanski Music
- Published By – Oakfield Avenue Music Ltd.
- Published By – Unichappell Music, Inc.
- Published By – Bruce Springsteen
- Published By – Jerry Nims Music
- Published By – John Stewart Music
- Recorded At – Capitol Studios
- Recorded At – Amigo Studios
- Mixed At – The Sound Factory
- Mastered At – Precision Lacquer
- Mastered At – Sheffield Lab Matrix – △ 8650
- Lacquer Cut At – Precision Lacquer
- Pressed By – Rainbo Records – S-13131
- Pressed By – Rainbo Records – S-13132
- Designed At – Gorilla Communigraphics
- A&R [A&R Coordination] – Dan Perloff, Gary Stewart
- Art Direction – Grace Amemiya
- Consultant [Drum Consultation] – Pat Foley
- Crew [The Crewed] – Craig "De Scrode" Apelman, Tom "Stinkfinger" Ames
- Design [Package Design] – Don Brown (4)
- Drums – Buddy Blue
- Electric Bass, Acoustic Bass – Rolle Dexter
- Engineer [Assistant Engineers] – Charlie Paakkari, Terry Christain
- Engineer [Engineered By] – Mark Linett
- Guitar – Buddy Blue
- Management [Personal Management] – Denny Bruce
- Mastered By – Stephen Marcussen
- Other [Assistance] – Rich Schmidt
- Photography By [Beat Farmers Photos, Back] – Pedar Ness
- Photography By [Beat Farmers Photos, Front] – Rosie Fitts
- Producer [Produced By] – Mark Linett, Steve Berlin
- Typography [Hand Lettering] – Country Dick
- Vocals, Drums, Accordion [Accordian] – Country Dick
- Vocals, Guitar, Drums – Jerry Raney
- Vocals, Guitar, Drums, Harmonica [Harp], Dobro – Buddy Blue
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